U. S . A SAN FRANCISCO. Co pyri g ht.

A FESTIVA L OF ALL TH E NA_TIO N_S C_O MM EM_ORA_TI NG _{A WOR LD}’

S EV_ENT "

TH E C_OMPLE_TIO N OF _{TH E PANAMA CANAL}

"

SAN FRANCISCO_. CALI FORNIA_, ‘ U. S. A.

O_p ened Febr

i

lar_y 2 0th and clo ses December 4th_,

S ETTlNG _{FO RTH TH E}

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_{OR LD}'_{S P RO}G_{R ESS I N} A RT_, MUSIC_{, POETR}Y_, RELI GION_, P

H

_IL_OSOP

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Y_{, S}C_{I EN}C_{E, H ISTOR}Y_.

EDUC_{ATIO N, A}G_RIC_UL_{TU RE, M I N ERALO}GY_. MEC

H

A N _ISM_{. COM MERCE AN D T}RA N_SP_OR_TA_TION.

OFFI CI AL v

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BOOK

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Third Editou _,

Published b_y ROBE RT A. REI D_, Official Exposition View Book Publisher_,

| 50 HALLECK STREET_. SAN FRANC | SCO.

EXEC_UTIV_{E O FFI}C_{E RS} OF T

H

E EX P_OSITIO N

1 CHARLES C . MOORE _. P resid ent. 5 C UR T IS H. L I N DL E Y‘ S olicitor General. 9 GE ORG E Houo a PE R R Y. Director of E x ploitat i on.

2 DR. F RE DE RI C K J. V. S KlF e Director-in-Ch ief_. 6 F R A NK S . BR I TT A I N . Géneral A ttorney. 10 F RAN K BU RT _. Director of Concessions aqd A dmissions.

3 A . W. F OST E R_. T reasu rer. 7 CAPT_. A SHE R C ART ER BAK E R_, Director of E x hibits_. 11 JOS E PH M _. C UM M lN G_, E x ecu tiv e S ecretary.

T

H

E _{TOWE R} OF

_J

E

W

ELS _{AND TH E SO}U_T

H

GA RDEN

As 5 0 9 11 a s t h e _princi_pal gate way to t h e E x p o si ti o n fro m th e ci ty is pas se d hle do m in a tin g fea tu r e o f th e arc h it ec t ure_, t h e T o wer o f

J e w e ls, w hxch re a r s it sel f S k yw ard fo r al m o s t h a l f a t h ou sa n d f e et, is c o n fro n te d. B e for e it a grea t ga r d e n 3000 fe e t in l e n gt h stre tc h e s_, flanked

o n t h e W_{e s t b y t h e n ob l e g}l _ass d o m e d H o rti c u l tu ra l Buil din_g a n d o n t h e rig h t by F e s tiva l Hall_, a t o w e ri n g_, gra ce fu l p i l e standm_g a l o of fro m

t h e mas s ed e xh ibit p a la ce s.

DI RECT_{O RS} OF _{TH E} Ex POSlTlON l CHAS. C_. MOO R E_‘ President. 6 L EON S L OS S . 5th Vice Pres 't . 12 P. T . CL AY. 2 W M . H. CROC KPI R‘ lst Vice Pres ‘t . 7 J AM ES RO L PH_‘ JR 6th Vice Pres ’t . 13 R . A . C ROT HE RS. 3 R . B. HALE_. 20 d V ice Pres 't . 8 JO HN BA R N E SON . 14 GE ORG E T . CA M E RON . 4 I . W. HE L LM AN JR 3d Vice Pres ‘ t . 9 M . j, B R AN D EN S ‘ N -_{I I N} . 5 A . I . E SBE R G. ’ 5 M. H. D E YOU NG _. 4th Vice Pres ‘t . 10 JoHN A . B e -QN , 16 C HAS, S . F E E . 1 1 F RA N K L. BR OWN . 17 A . W. F OST E R.

TH E SOUTH GARDEN _{AN D CALDER}' S" FOUNTA I N O F EN E RGY I n . t h e beg uti ful S o u t h G a r de n s_, o c c u_pyin_g t h e ce n t e r o f t h e _plaza , i s Ca l d e r ’ s F ou n tain o f E n e rgy_, _ f or m in_g on e o f i t s . m a in p ic tu r e fea t u re s. W_{i t h} I ts . fl ashm_g si l ve ry s_pra y i t is a c o n s tan t s o u r c e o f de l i gh t t o b e h ol d e r s. I t typi fi es En e rgy_, t h e “ L ord o f th e I sthmlan

W

a_y," ov er c o m ing t h e barrxers w ln ch se pa ra te d t h e o c ea n s.

DEPARTM EN_TAL _CH _{I E}F_S OF T

H

E EXPOSITION 1 J. E . D. TnAsx _, Chief of F ine Arts_. 9 CHAS _. E _. VAN BARN E VE LD . Chief of Mines 17 GE ORG E W. Km am fi hief of Architecture. 2 A LVI N E _. POP E_. Chief of E ducation and S ocial and Metallur_gy. 18 H_. D. DEW EL L , Chief St ructural E ng ineer. E conom_y. 10 A _. H_. MA R K WA R T _. Asst_. D irector of Wo rks . 19 W. D ’A . R YA N _. Chief of Illumination_. 3 T HEODOR E HAR _DER . Chief of L iberal Arts. 1 1 G. L . BAYL EY. Chief Mechanical and E lec 20 W . D. E GI L BB RT _. Com ‘ r C alif ornia Bu ildin_g 4 CHA_RL ES H. G R E E N_. Chief of Manufactures trical E ng ineering _. 21 DR . J . D. L ON G. Chief Hyg iene and Sanitation 0 and Varied I ndustries_, 0 0 1 2 E . E . C AR PE N T B R _‘ Chief Civil E ngineering . 22 DR_. R _. M_. WOODWARD . Chief M ed ical Bureau. 5 L 1e_gt. G. W . DA N F O RT h _. Chlef of Machinery_. 13 KARL T . F . BI T T E R. Adviser in Sculpture. 23 JA Y J. B RYA N_. Assistant Director Concessions 6 T _. (1 . S T A L L S M I T g _. C hxef ‘ of A _gn cu lt u re. 14 A . S T I RLI N G C ALDER . Chief of Sculpture. and A dmi ssions_. 7 D. O. L I VELY_. Ch xef of v e Stock . 15 JUL ES GU E R I N . Chief Color and Decoration. 24 A . M . MORT EN S EN _. T raffi c Manag er_. 8 G . A . a m no x _. Ch ief of Horticu lture . 16 JOHN McL A azN _. Chief L andscape Gardening 25 G . W . S T E WA RT_. Mu sical D irector_. 26 CHAS. A . VOGE I S AN G. Commissioner of the E xposition. 27 WM. T . S E S N ON_. Chairman Reception Com mittee. 28 _J . A . BAR R. Director of Congresses. 29 W. L . HAT HAWAY_. Commissioner Worlds ln surance Con_gress E vents. 30 T HOM AS M . MOOR E . Com missioner General, E astern Head_quart ers N ew York . 3 1 HO L L I S E . Coo u w_. Chief Special E vents.

AN EXP_OSITIO N _{AUDI EN}C _E

T h e s c e n e r e p r e s e n ts a grea t c on co u rs e o f p e op l e gat h e r ed upon t h e P l aza i n t h e So u t h G a rd e n s_. I t in dica t e s th e l oya l sp i ri t o f t h e p e o p l e

o f Cali fo rn i a t owa rd s th e E x p o siti o n

, w h i c h i s e x h ib it ed upon a l l im p o r ta n t oc ca si on s. T h e M a i n e n t ra n c e i s s een b eyo n d t h e F ou n tain o f

E n e r gy. T h e gr ea t s o u t h h e dge e n c l o sin g t h e Exp ositi o n groun ds and t h e M a i n e n tra n c e a r e c l ot h e d w ith a ma s s o f fl ow e ry m oss. T h e h e dge s

D EPA RTM E NTA L CH _{I E}FS OF _{TH E} EXPOSlTI ON

—

_CONT_{I N}U_ED W M . j . PE ARC E . Assistant Comptroller. E . H. Ho oPE R_. Assistant Comptroller. W. A . GRI M M ELL_. Audito r_. R ODM A N R omssox. Paymaster. JAS. D. O ‘ N E N Chief of Department of Concessions. E . C . CO N RO Yt Chief of Department of A dm issions. 7 BL YTHE H . H F N DE R S O N . Chief of Department of T rans port at ion E xhibits. 8 O. H. F E R NBAC H_, Secretary of the I ntern ational A w ard System. Secretary of the F orei_g n Oth ee. 9 _J. J . MC GOVl -_{ZR N} t Assistant Director of Athlet 10 C APT . E DWAR D C A RP EN TE R . U . S . A Military Aide to the President . 1 1 COM M A NDE R C . H. N N avalA id e to th e President. 12 CAPT. F R ED L . PE R R Y_. U . S . A Assistant Commandant of th e Gu ard . 13 F R A N K L lN MORT ON T ODD. Historian.

N w

TH E SOUTH G_{A RD E NS F ROM TH E PALACE}

O

F _{HO RT I}C_UL_{TU RE}

T h i s b ea uti fu l s c e n e, s ho w in g F e stiva l Ha l l , t h e Ital ian to w ers at th e entran c e to the Cou rt o f F l o w e r s, a n d o th er be a u ti fu l fea t u r e s_, p i c tures

th e pri nci_pal ga r den the

.Ex.p os i ti on g

rounds. Ou t h e le ft are the Palaces o f M anu factures an d Vari ed I ndus tries faci ng upon Pal m Avenue_.

MRS. F. G . SANBORN_. President. MRS . PHOE BE A . HEARST_. Hono MRS. GAILLARD STONEY_, Secretary.

TH E

W

OMA NS’

B_OARD

To th e genera l public the vi si b l e wo rk of th e W oman’s Board_,

d u ri ng th e Exposi tion p e ri od_, Will be the di sp ensing o f ho s pi tal ity at

the, Cal i fo rni a Building"an d i n conne cti on Wi th the women of the

S tat e, p re s i ding ov e r and con duc ting t h e so ci al fun c tions w hi c h are a

p art of t h e l i fe o f expo si tion s. A l arge secti on o f th e S tate b u il ding

h as b een designe d for th e s e soci al p u rposes and w i l l be op en at a l l

ti mes f or the c are and ente rtainm ent of th e p eople

—

guests of the

Hoste s s State and i ts ci ti zens. W hil e the p reli m inary work of the

Board h a s b e en mos t u sefu l and b rilliantl y s u c cess ful

, i t i s a t gre at

gath e rings of di stingui shed p e op l e th at women by tact_, c ulti vate d tas te

and cou rtes y become leaders in th e im portant du ti e s of hos p ital i ty.

Duri n_g the p e rio d of th e b u i l di ng of th e Exposi tion th e W oma n’s

Boa rd h as h el p e d mould p u bl i c Opini on_, and wo rked s u c c es s fu ll y

through variou s agenc ies, among these by auxili a ry b ranc he s throu gh

the Counties of the S t a te. Wi t h th e co

-o peration of oth er agenc i e s

i t Wi ll assi st in t h e c a re an d gu i dan c e of vi si to rs and Wi ll b e esp e c ial ly

hel_pf ul ‘to women. The p e rsonnel o f the . Woman

’

s B oard i s"

Honorary p resi dent, M rs. Hears t " p res i dent_, M rs. S anborn "fi rst

vi c e

—

p resi d ent_, M rs. Lov e l l W hi te " se cond vi c e

-p re si dent , M rs. 1. Low enberg " t hi rd v i c e-p resi d ent , M rs. Wi lli am Hi c kl ey Tay l or " fo u rth vi ce-_pre si dent , M rs. Jo hn F . M erri ll " fi f th vi c e

—

p resi dent_, M rs. F rank L . B rown " si xth vi ce

—

p res i dent_, M rs. E rne st S . S imp son "

M rs. Gaill ard Ston ey " treas u rer_, M rs. P hi li p E . Bowl e s " as sistant

t re a s u rer, M rs. E dw i n R . Dimond " au di tor_, M rs. C h a rles W. S l ack " o t h e r dire ctors, M rs. E dso n F . A d ams_, M rs. F rank B . Ande rson_, D r. M a riana B e rtol a_, M rs. F ran ci s C arol an , M rs. Ayle t t R . C ot ton_, M r -s . Jo sep h A . Donoho e_, M rs. Jo s e p h D. Grant_, M rs. Re u be n B . H al e_, M rs. P . C. Hale_, M rs. I . W . H el lm an_, J r M rs. C . E dw ard Holmes_, M rs. John John s, M rs. Ab bi e K r eb s_, M rs. Je s s e

W

. Li l i enthal_, M i s s Lau ra M cK instr_y, M rs. Rob e rt Oxnard_, M rs. Ho ra ce D. P ill sb u ry_, M rs. George

A . Pop e_, M rs . Hen ry T . S cott_, M rs. Lau renc e 1. S cott_, M rs. W i lli am T

S esnon_, M rs. M . C . Slo s s_, M rs. W i lliam S . Tevi s_, M rs. E . C . Wri gh t "

a ctive as soc i a te di re c tors, M rs. George B. S p e rry_, M rs. A l exand e r

R u s sell, M rs. C. S . S ta nton_, Mi s s Janet P eck_, M rs. George Hough

Pe rry, M rs. M ary Au sti n_, M rs. Wllliam K ent"M rs. Wi lli am Grunt_,

M rs. H e rb e rt A . Hoov er_, M rs. M inni e S ab in Coop er.

Th e honora ry memb ers in c l u de M rs. Hiram Johnson_, Wi fe of th e Governor of Cal i fo rni a " M rs. James Ro l p h _. J r. _, w i fe of th e M ayo r of San F ran cis co " M rs. F rankli n Lane_, Wi fe of t h e Se c reta ry of t h e Interio r, ‘ Mrs. J ul iu s K ahn_, Wi fe of Congressman Kah n_, and the Wives of al l oth e r C al i forn ia rep re sentati ves. s e c re t ary,

TH E TOWE R OF

_J

E

W

ELS _{I LLU MI NATED}

A l l prey ious s c h e m e s o f i l l u m inati o n a r e strik in gl y d e parte d fro m b y th e E x p o si ti o n in t h e e m p l oy o f w h a t ist er m e d t h e in dire c t or m a sk ed

sy st em o f l i gh ting. T h e a d va n ta ge s o f th i s system h e i n t he va riety o f el

’_f

ects t o

. w h i c h it l e

n d s i ts e l f. I t i s t h i s m a sk e d sy ste m o f l igh ting t h at

T

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ERSA L E

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CISCO

.

Th e P anam a—P a cino I nternational Exposi tion c e l e b ra tes the com p letion of th at ep ochal ac hiev em ent th e P an am a C an al_, by w h i c h two

contin ent s are s e v e re d th at th e enti re worl d m ay b e b ro ught i nto

clo s e r conta ct. I t cele brates al so the a c h i evements of m anki nd du ring

the de c ade p re ceding th e y e ar 1 91 5_, s h ows the gre at p rogress that ha s

b e en mad e i n e v e ry b ranc h of hu man en de avo r and dep i cts t h e

p resent c ap abi l i ti e s o f th e h u man rac e .

The Expo si ti on means the c e m enting of exi sting an d the m aking

o f ne w int e rnational fri end ship s . I t t ell s a sto ry to thos e from a forei gn

c l ime and brings to u s o f the W es tern H emi sp h e re a mo re comp l et e

understandi ng o f th e p eople s of th e W orl d.

’N eath the gri m armam e nt

of the P re si dio_, w h ose gun s gu ard th e

Gol den G ate_, ne stl e s t h e Ex posi ti on_, from whi c h ac ros s the wat e r ma_y

be seen, to t h e no rth, the frowning s id e s o f M t. Tamal p ai s_, the i sles

whi ch dot the l an d-l oc ke d se a

, an d th e h ill s that gu ard S an P ab lo B ay.

I n th e i mm e di a t e eas t_, the s ou th an d the w e s t lies San F rancisco_, th e

“

Ho ste ss C i ty.

The Expo s i ti on _ground s_, containing 635 a cre s_, are in a n atural

amp h ith eatre overl ooking S an F ran ci s co B ay. Th e grou nds extend

something over two m ile s along the w ater front, afi ording unob

stru c te d vi ew of n aval p ageants and oth er aq u ati c featu res. At the

vari ous l and entranc e s are am ple s tation s Wh e re c a rs_, a_utomobi le s an d oth e r t ranspo rtation s e rvi c e ma_y di s charge p assenge rs so that

they may re a c h any des ired p oint qu i c kl y. Ou the wate r front_, fa cing

th e M ari na_, are s li p s Wh e re steamers_, l aun ches and ferry b oats m ay

doc k. I nsi de t h e ground s a railway extends from en d to end of th e

M arina_, affording v isi tors a com p re h ensi ve vi ew of t h e Exp osi tion and

of the s ceni c attra cti ons w hi c h su rround '

i t. A u tomobi le chai rs_, jinri k

s h as, bi cy cle and p u sh c h airs are avai l able fo r u se o f ylsitors.

Th e ma_gni fi cent stru ctu re s Whi c h h ou se the e vi denc es of th e

wo rl d’s

p rogres s are th e hi gh e st combination of t h e de s ign e r’s art an d

the skill ful l abor of th e arti san. They ri se m ajes ti c i n t hei r grandeu r "

thei r c ap aci ty i s enormou s_, an d t h ei r scul p t ura l decorations are - sym

boli c of th e exhi bi ts th ey contai n.

Th ese exhi bi ts are di vi de d "into T_el_even grou_p s " F i ne “Arts "

Edu c ati on and Soc i a l E co n omy "Li b eral A rt s "M anu fac tu re s

, Va ri e d

Indust ri es" M achi ne ry " Tran sportation " Ag ri c u ltu re " Li ve S to ck "

Hort i cult ure_, an d M ines and M e tal l u rgy.

THE L ANDSCA PE A ND. FLORAL SCHEME

A t no exposition y et h e l d . in thi s country has th e re b een so el ab

ora te and extensi ve a fl oral‘ di spla_yzas shown at thi s exp osi tion_. Th e

work h as been done un der the d i re c tion of M r_. ‘Joh n M cL aren_, th e

S up erintendent of Gol den G ate P ark b f San F ran ci s co_, w h o i s recog

ni zed th roughou t E u rop e a n d Am e ri c a as one "

of t h e h ighes t authori

tie s i n thi s p ro fes s ion. The m ai n av enu es are featu re d w ith l arge

THE NORTH GA RDEN

F or nearly a m il e along the b ay front age stre tches t h e N orth

G a rd en. Th i s i s s e p ara te d from the p al aces b y the b roa d p av e d E s

p lanade. Th e s p aci ou s Y ac ht Ha rbor i s almo st i n t h e center. S u r

ro unding the Yac h t Ha rbo r i s an I tal ian b allu strade on w h i c h are

e re cte d decorati v e l ight standa rd s .

groundwork o f yellow p an s ies to be followe d by re d tu l i p s, a fter W h i c h

a p l anting of b egoni a wil l c a rry the col or s chem e th rou gh u nti l the

c lo s e o f t h e Expositi on. E ac h pl anting wil l b e o f p l ants o f

e ac h v ariety.

THE COURTS OF THE EXPOSITION

Th e m ai n cent ral cou rt or Co urt of the U ni ve rse i s dis tingu i sh ed

by a formal settin g of shrubb e ry i n th e c ent er of whi ch i s a l arge

sunk e n garden. M yrtle h e dge s_, p ill ar ro ses and cli mbi ng p lants are

sp e ci m en tree s and p alm s. Again s t t h e gre at Exhi bi t P a l a c e s hav e

been p lante d cyp re ss, sp ru c e, e u c al yptu s, fi r and oth e r s pec ies, from

twenty to th i rty feet h i gh. N ext thes e are trees an d s hrubbery of

l e ss e r h ei gh t_, and again these are b an ke d W i th fl owers of b ri lli ant

h ue, to be change d wi th th e s e a son s of the y e ar, giving a color b l end i n_g of mo st ench anting b e a uty wh e r ev er th e ey e m ay rest.

Ove r fusch ia t rees an d si x thou sa nd hyd range a s and h u n

d red s of thou s ands o f oth e r bri ght col ore d fl oweri n_g pl ants h ave b een

u sed u p on the grounds to a dd brill i ancy to the colors, whi c h are all i n

cont ras t to the ri c h, rest fu l green of l awn and shru b b e ry.

Th e m any d ri veways an d c ou rt s h av e diversi fi ed tre atment ac cord

ing to th e i r locati on and m e a s u re o f s unl i ght an d shade, all c au si ng a

h armoni ou s whol e .

THE LIGHTING O F THE_ZEX POSITION

Th e met hod of l igh ting em p loye d on th e expo si tion grounds i s

known as the i ndi rect"

" th e wall s of th e exhib it p al a ces b e ing

fl ooded b y th e li ght from gre at a rc s_, i n front of W hi c h h av e been

p l ace d h andsom e bras s shiel ds, thu s sh ading t h e eye s of th e sp ecta

tors w h il e gi vi ng a comp l et e and rest fu l ill umi nation.

The domes of the b u i l dings are fl ooded wi t h l ight from p owerful

s earchl igh ts and as th ei r ray s f all u pon th e jew el s" of han d-c u t

c ry stal, the effe ct remind s on e of F ai ry l an d.

THE SO UTH GA RDEN

The Sou t h Garden s, emb ra c ing the enti re t erri to ry b e tw e en t h e

Horti c ul tu ral B u il di n g an d F e sti va l H all_, wi l l b e m ai n t aine d as a F rench ga rden_, containing ‘

th re e l a rge pool s an d o rnam ente d Wi th

num e rou s small fountai ns_, b al u strades and b ed s of col o r. Al l of thes e

be ds Wi l l b e p l anted i n one colo r "at the op eni ng o f th e Exp ositi on

TH E PALACE OF FI N E A RTS

T h e e x te ri o r o f the Pa l a c e o f F in e A rt s is entire ly u n lik e th e F i n e A rts bu il di n g at a n y p re vi ou s E xp o si ti on . I t i s the a rc o f a cir c l e_, w it h an

o uter l ength o f 1 100 fee t_, h a vin g a c o l on n a ded fr ont_, an d a c e n tra l rotun da 162 fe e t h igh . T h e co n s tr u cti o n i s ste e l a n d concretc

—_{fi re}

proof. T h e

e xh ibits c on si s t o f t h e b e st p ro du ctions o f fo reign an d A me ri ca n a rti sts. N ot o n l y p ain tings an d s c u l p t ure _, bu t t ap e st r ie s_, je w e l ry_, a n d mo saic s_,

inlays. carvings, an d fabri cs su ch as l ac e s an d r u gs, are e x h ib ite d. T h e gro u p in g o f scu l p tu r e in t h e r otunda a n d th e c ol on n a de s i s ex c eedingl y

free l y us e d i n t h e ado rnment of thi s cou rt. I n t h e Cou rt of A b undan c e

m ay be seen among oth er t h ings 1 00 o range trees i n bearing. Great

m agnol i a s, formal I tal i an C yp re s s, s p ring fl owering b u l b s and annu al s,

are, in their tu rn_, u s ed to beau ti fy. I n the Cou rt of Palm s are different

vari eti e s o f p alm s an d a col l ection o f sweet sme l l ing sh rub s su c h as

myrtl e, b reath of h ea ven, l avende r, l emon v e rbena, an d ros emary. Th e

Cou rt o f F l ow ers_, as th e n am e d enote s_, wi l l b e a showi ng of b ri l li ant

h u e d fl ow ers in great v ari e ty. The Cou rt o f the F ou r S e a son s i s l ai d

out to ill u strate th e vari ou s phas es o f th e fou r s easons_, among ot h er

thi ngs c ontaining fou r gre a t colonna d e d ni c h e s W h e rei n are p laced

grou p s o f statu a ry re p re s e nting re sp e cti v e ly S p ring, S ummer, Aut umn

an d Winter.

THE PREDOMI NATING COLOR SC HEME

The color and de corati v e f e ature s of the Expo si ti on are un de r the

di rection of M r. Ju l es Gu eri n. The p a l a c e s are s h aded i n a n eu tra l

ti nt— smoke d i vory. Th e p o rta l s_, col onna des and gro up ings of archi

tectural featu res are m as ses i n re d s_, b l u e s_, gre en s_, an d gol d. FOREI GN COUNTRIES PARTICIPATING

Th e follow ing foreign countries h av e o ffi c i a l l y ac c e p t e d th e i nvi ta

ti on o f th e U ni te d State s Gov ernm ent to parti ci p ate i n the Panama

Pacino I nternational Expo si tion "

Guatemal a, H ai ti, S a l v ado r, Domi ni c an Re p ub l i c, Hondu ras, P an

ama, M exi co, I

' eru

, Costa Ri c a, B ol ivi a, Japan, E cu ador, U ru gu ay,

C anada, Li beria, F ran ce, N i ca ra gu a, C u b a, C h ina, Portugal, Swed en,

N etherl ands. A rgentin e , Denmark, Chil e, B razi l, Venez u el a, Persia,

Paraguay, N ew Z ealand, Tu rkey, Au stra l i a, I tal y, Si am, Gre ec e, Au s

tria, Switz erl and, N orway, M onaco, B u l ga ria, Se rvi a.

Some important forei gn co untri es fail ing to sen d o ffi ci al or gove rn

mental rep r e sentati ons, wil l b e re p re s ente d b y great exhibi t s gath e re d

b y s u bsc ri p ti on s among the p eop le s of t ho se countri e s_, notab l y E n_g

l an d and G e rm any. The Pavi l ions of the F oreign C ountri e s are

grou p e d i n th e western po rtion o f th e groun ds_, on th e M ari na_, op p osi te

th e grou p of State b ui l dings.

PARTI_CI_PATION BY THE STATES

F orty-th re e of the States o f th e U nion are p arti ci pating in th e

l i fe of t h e Expositi on. M any of t h e b u i ldings are repli cas of hi stori c

mansi ons o r p u bli c b u i l dings i n t h e v ariou s States. Th e Old B ay

State h as a re p rodu ction of the Old Bulfi nch _p orti on of th e Massach u

setts State Hou se. Vi rgini a_, the ol d S tate_, M other of P res i dent s_,

"

h as a rep ro du ction o f M t. Vernon_, h ome of P resi dent W ashi ngton.

P ennsyl vani a’

s handsome bu il ding wi l l h ou se t h e “

Old Li b erty B el l .

"

Al l o f th e State b u i l di ngs are h an dsome st ru ctu res, l arge an d com

modiou s_, exc e e dingl y c re di table to the S tates. M any are p al ati al

edifi ces.

OUR INSULAR POSSES SIONS.

Alaska, Hawai i and th e Phili p p ine s eac h gi ve t h e vi si to r an

op port unity to become fami l iar wi th t h e ch aracter of th e s e cou ntri es"

t h ei r p eople an d m anner of l i f e.

THE C ALI FORNIA BUI LDI NG

Larger, grander an d more i m posing th an any oth er s tru ctu re of

e ith e r F ore i gn C ou ntry or Sister S tate i s th a t o f C al i fo rni a. I t i s

at th e en d of Admini strati on Avenu e exten ding f or s ev en h un dred and

mo re feet a l ong th e M ari na and th e w ate r front. I t h as l arge se c

t ion s f or exe c uti ve o ffi ces_, s ocial and h ospi tality f un ction s

, and di sp l ay

OFFICERS O F THE EX POSlTlON

C h arl es C . M oore_, Pres i dent " Wm. H. C rocker_, Vi c e

—_{P re si dent "}

R . B. Hal e_, Vi ce-P resi dent "I . W. He l lm an_, J r Vi c e

—

P resi dent "M . H.

de You ng_, Vi c e-P resid ent " Leon S los s , Vi ce -P res i dent "James Ro l p h , J r Vi ce

—

P re si dent " R u dol p h J . ‘ Ta u s si g, S ec retary " A. W . F oster_,

Treas u rer "C u rti s H. Lindl e y_, Sol i c itor General .

b FFICERS OF THE. WOMANS

’

BO ARD

M rs

, P hoeb e

A . Hears t_, Hono ra ry P re si d ent " M rs. F. G. S anbo rn_,

P resi dent "- M _rs . Lov ell W h i te_, Vi ce -P resi dent " M rs . I . Lowenb erg_, Vi ce-P resi dent " M rs . W il l i am h i nc kl ey Taylo r_, Vi ce -P resi dent " M rs .

Joh n F . M e rrill_, Vi ce-P resi dent "M rs. F rank L . B rown_, Vi c e

-P resi dent "

M rs_. E rnest S . Simp son_, Vi ce

-P res i dent " M rs

. Gail lard S toney_, Se c re

"

tary "M rs. P hi ll i p E . Bowles_, Treasu rer "M rs. E . R . Dimon d_, Assistant

Treas u rer " M rs. C has. W. Sl ac k_, Au ditor.

CALIFORNIA STATE COMMISSION

H

o

n. Hi ram W . Joh n s on_, Governo r of C ali forni a " M att I . S u l li van_,

P re sident " Arthu r Arl ett, M a rsh al l Stim son, C heste r H. Rowell.

F . J . O

’

Bri en_, Sec retary "Leo. S . Robinson_, Control l er.

p u rp os es, and wi l l be th e s tage f or al l statel y h ono rs and ceremoni al s

by th e ci ti zens of t h e Hostes s C i ty and St_ate_.

THE Z ONE.

He re are to b e se en rem a rkabl e evi den ces _of th e enterp r_i se _of th e

b u sines s m en of San F ranc is co. Th at no im portant featu re i n m aki ng

a great i nte rnational expo sition b e omi tted th e amu sement sec_ti on

h as been l a rgely b u i l t, and the great s hows m ade po s si ble by t h e

n_{u an cing o f th e am u s ement} Z one" featu res by w ealthy b u sin e s s m en

of th e ci ty. N otabl e among th e com p ani e s fo rm ed f or thi s p u rpo se

are th e Consoli dated A m u sem ents C om p any and th e Combi ne d Am u se

ments Comp any, both of wh i c h h ave exp ende d v a st s um s_, —runni ng

into mil l ion s of do l lars_,—for the eno rmous bu i l dings an d the featu res

e s tab l i sh e d therein.

F rom th e A venu e o f P rogres s

, near the F i l l mo re Stre e t entranc e _,

the‘ Z one extend s eas t for a di stance o f th ree thou s an d f e et

, equ al to

seven c ity blocks. U pon both si de s o f t h e t h orou ghfare th e amu s e

ment p al a ces an d s how houses, great and sm al l, li ne th e way and

al l u re th e vi sitor.

BOARD OF DIREC TORS

Joh n Barneson_, M . J . B randen stei n_, John A . B ri tton_, F rank L .

B rown, P h i li p T . C l ay_, Wm. H. C rocke r_, George T . Cameron_, R . A .

C rot h er, M . H. de Young_, A . I . E sberg_, C h as. S . F ee_, H. F . F ortm ann_,

A . W. F oster_, R . B . Ha

’le

, I . W. Hellman_, J r. _, S . F red Hogu e_, Home r S .

K ing_, C u rti s H_. Li ndl e y_, P . H_. M c cart h y_, Jame s M cN abi C harl es C .

Moo re, Tho rnwel l M u l l ally, Jame s Rol p h, J r A . W. S cott_, J r Hen ry

T . S cott_, Leon S los s_, C h as. S . Stanton_, D ent H. Robe rt_, R u dol p h J .

Tau ssi g, Jo sep h S . Tob in.

Ex EC UTlVE STAFF

F rederi c k J . V. Skiff_, Di re ctor

-i h

—

C h i e f " As h er Carter B aker ,

Dire ctor of E xhi b its " Harri s D. H. Conni c k_, Di re ctor o f W orks "

George Hou gh P erry, Di re ctor of Exp l oi tati on " F rank B u rt, Di rector

of Conc es si ons and Adm i s sion s.

Rodney S . Du rkee_, Com ptrol l er "Josep h M . C umming_, Exe c uti ve

S e c retary " _{_}A. M .

‘

Mo rten sen, Traff i c M anager " F rank S . B ri ttai n_,

TH E C_{OU RT} OF _PALMS— _{TH E} C_{OU RT} OF _{F LOWERS}

T h e b eau ti fu l Cou rt o f Pal m s c o n n e cts Pa l m Av e n ue w i th th e C ou r t o f th e F o u r S ea s on s. T h e Cou r t of F l o w e r s i s t h e b ea u t i fu l c o u r t join

m

l

g Pa l m Av e n u e w ith t h e Co u r t o f Ab unda n c e . I n t o ea c h o f th e s e l ov e ly c ou rt s h a s b e e n p o u r e d a w e alth o f b ea uty o f s t o n e a n d fl ow er a n d

TH E COU RT OF _ABU_{N DANCE A N D}

M

ULLGARD’

S _T

_O

_WE _R

T h e Cou rt o f A b u n da n c e_, d e signe d by L ou i s C. M ullgardt_, s h o w s i n th e

i

n n er fa ca d e a n d th e g en era"d e tail th e e ffe c t o f th e O ri enta l p h a s e

o f th e Sp ani s h - M o o ri sh t yp e of ' architectur_e

. T h is c o u rt i s d e di ca te d t o mu sxc_, daii cing_, an d p ageantr y. T h e w al l s o f the c o urt ar e fo rmed by

-n - v

PALACE OF TRA NSPORTATION4 PALACE OF _{PU R E} F_OODS

T h e Pal a c e o f T ra n sp o r t a t io n fa c e s th e M a rin a

, fr ontin g o n t h e E s p l a n a d e a n d Co u rt o f U nive rs e. I t is 618 feet l on g a n d 5 79 f e et w id e. V e ry

i n te re st i n g e xh ibi ts o f tra n sp ortati o n b y ra i l, w a t er, m oto r

- p o w e r

, aer op l a n e, an d o l den m e th ods a r e sh ow n . T h e Pa l ac e o f P u r e F o od s con

ta i n s e x h ib its o f f oo ds o f al l k i n d s, m a n u fa ctu r e d, p artl y c o ok ed, a n d p r e s er ve d. T h e F i sh e ri e s a n d C e rea l s a r e e sp e c ia ll y e xte n s iv e ex hi b i

tio n s. Am on g t h e w o rk i n g e x h ibit s i s t h e c om p l et e fl oar in g mi l l

, p r o c e s s e s o f m an u factu r e o f b reak fa s t f oo d s, a n d t h e p r o d u ctio n o f Ca l i f ornia

PALACE OF MACH _{I N E R}Y

T h e Pa la ce o f M a c h in ery, a m od e l t r eat me n t o f R oman e sq u e a r c h i t e ctu r e, is a magnifi cent s tr u cture 968 feet l ong and 368 f e et wi de, w i t h a

fl o or spac e o f m o r e t h a n se ve n a c r es_, fr o n t in g u p on Pro gress A ve n u e. D e cora t iv e fi gures r ep re s enti n g steam_, el e ctri city_, air_, a n d wate r ad or n

t h e b ui l din g. T h e r e a r e e xh ibi t s o f m o s t r e c ent m e c h anica l i n ve n ti o n s_, w it h m any w ork ing m ode l s. T he g overnm e n t s h ow s by m ean s o f mi n

iature m i n e s t h e w a y o ur harbors in t im e o f w ar w o u l d b e p ro te c t e d "it il l u s tra t e s by m ea n s o f a rev o lving cy c l o rama t h e gr o wth o f t h e navy

FESTlVAL H_ALL

F _estiva l H a l l fr o n t s u p o n th e So u t h Ga r d e_ns

, a t th e rig h t o f t h e M ain e n tra n c e , a n d fa ce s t h e Pa l a c e o f H o r t i cu l tu re. I t i s t h e sta n da r diz e d

t yp e o f F ren c h th eate r a r c h i te c_tu r e_, h avin g o n e l a rg e c e n tra l d o m e

, w it h m i n o r do m e s and m ina r e t s, a n d i s p r o fu s e l y de c o rated w ith sta tua r y.

I t co n tai n s a ma_gnifi cent organ _of grea t v o l u m e . T h e w o r l d

’

s fa m o us organ i s ts gi v e or ga n r e ci ta l s dai ly du rin g t h e en t ire E x p ositi o n . I t s

u se for c on gre s s es, c o n v en t i on s, c o n c e r ts, a n

'

d o t h er m u sica l features ca u se s F estiv a l H a l l to b e o n e o f th e m ost im p o rtan t a n d p op u lar

PALACE OF VA-RlED I

N DUSTR I ES T h e e xh ib it s in

.Vari e d I ndu

st ri es Pa la ce a re t h ose su c h as a rt p ottery, cut gla s s, je w e l ry, si l v er a n d go l d sm ith s ’

wa r e s, c l oc k s, ma rb l e s,

b r on z e s, pa per h an g ings, npholstery g o od s, offi ce a n d h ouse h o l d fu rn itu r e an d a gr eat v a r i ety o f artic l e s o f th e fi ner l in e s o f ma n u fa cture. M any

PALACE OF EDUC_{ATI O} N _AN _{D SOCIAL} ECO_NO

M

Y

T h is b u il ding i s 525 _{feet l ong an d 400 f e et w i d e. I t i s up on th e A ven u e o f Pa lm s}

, w it h its w este rn fa cade u p on A dministrati on Ave n ue

ov erl oo k i n g th e Lag oo n a n d F i n e A rts Pa l a ce_. T h e Edu cati onal ex h i b it s sh o w every th in g from th e k in de rgart en to th e h ig h _est u n ive rsity

c ou r s e. T e c h n ical _, a gr ic u l tu ra l

, c om m e r cia l, an d i n dustria l s ch o o l s al l h a v e t h ei r p la c e. E x h ib it s re l ati n g to s o c ia l p r ob l e m s h ave e xtensive

sh o win g. T h e g ove r n m ent a l s o h as a n e xt en s iv e disp l ay o f ex h ib its re l atin g t o e du cati onal

m

atters in t h e b u il din g .

PANORAMIC VI E

W

OF MAI N _EX _{H I}B_{IT PALACE}

S

—

_{PANO RAMIC} VI E

W

OF _{TH E SOUTH} G_ARDENS

N e v e r ha s a n E x p o sit i on o c cup ie d a l ov el i e r si t e. I t l ies in a b ea u tifu l am p h ith eate r jus t w ith in t h e G o l den G a te_, an d t h e b l u e waters o f

San F ran ci s c o B ay w as h it s e n t ir e fro n ta ge. N e ar l y t hre e m i l e s fr om e n d t o e n d a n d fr om a th ird to h a l f a mi l e w id e_, th e Exp ositi o n s ite i s

fl an ke d at eac h en d b y imp o sing g ove rn m ent r eser vati on s and forti fi cations an d ba ck e d b y l ow h i l l s over w h ic h t h e cit y’s b est residence dis

tri e t c lim b s. A cr os s th e bay M o u n t T am a lp a is an d t h e monntains of M arin Co unty ris e up magnifi cently.

PALACE OF _LIB_E

R

_{A L A RTS}

I n th is p a l a c e is disp layed t h e Art p res e rva tiv e o f al l arts p rinting_, in al l i ts branc h e s. B o ok s_, map s_, p h o t ograp hy_, m us i ca l in s trum ents,

th eatri ca l eq u ip ment_, e le ctrica l m eth o ds o f com m uni cati on

, civil an d m i l itary engine ering, and m o de ls an d design s fo r p ub li c w ork s are

branc h e s p rom in ent l y ex h ibited. I n t h is pal a ce o ur g overnment makes ex h ibits o f the State D ep artm ent

, D e p artmen t o f Com merce, Rec lama

tion Servi ce_, I ndian B ureau_, F ine Arts Comm ission_, Smith sonian I nsti tute_, P ub l i c Heal th_, Red Cross_, M arine H osp ita l_, Library o f Congress_,

Censu s B u reau_, B ur_eau o f S t_andard_s

A RCH OF _{TH E} RISING _{SU N}

T h e A r c h o f t h e

‘

Rising Snn is a beantiful a rch i t e c t u ra l a c h iev em en t_, w it h ch ara cteristi c Or i enta l features_, si tuat e d at the ea st ern e n d o f

th e C ourt o f t h e U n iv ers e_, w h i c h 15 e sp e c ia l l y r i ch in a l l ego rical gr o u p s a n d fi _gu res. I t is sur m o u nte d by th e magnifi c ent em b lemati c grou p o f

scu l p t ure _, “T he N at ion s o f the Ea st.

FQUNTAlN OF CE_RES

—

C_{OU RT} OF _{FOU R S EA SO N S}

I n th i s lovely i n c l o su r e_, w h i ch is wa l l e d i n b y fa ca des o f th e Pal a c e s o f F oo d Pro du ct s_, A gric u l tu r e_, E du cati on_, a n d L ib e ra l Arts_, e v ery d e c orativ_e

'

feature o f statuary

, m u ra l p aintin g, a n d s c u l p ture ca rri es th e i dea o f N ature p our i n g out t h e fru its and fl ow ers o f the s eas on. T h e

F o untain o f Ce r e s i s th e w ork o f Ev el y n B eatr i c e L on gman o f N ew

'

TH E. COU RT OF PALMS

T h e Con_rt o f Pa l m s c o n ne c t s Pal m A ven u e w ith th e Cou r t o f th e F ou r S ea son s. I n th is s tate l y p il l ar ed co u rt_, w h i ch w it h th e Co urt o f

F l ow e r s _typi fi es c ourts o f th e I tal ian R enai s san ce_, w e may s e e a fi ne c ol l ection o f diffe r ent vari eties o f p a l m s an d sw e e t- s m el l in g h erb s

, su c h

LOOKING _{F RO M TH E} C_{OU RT} OF _{FOU R SEASON S TOWARDS TH E} SclNTlLLATOR

T h e S cinti l lator is c omp o sed o f a ba tte ry o f s ea rch lig h t s l o cated u p on t h e b r ea k wa ter o f t h e Ya ch t H a rb o r. I t is th i s s cin t il la t or w h i c h

TH E E SPLA N AD E F RO M

A

DM I N ISTRATI O N AVENU_E

One o f the m o st b ea uti fu l o f th e p r om e n a d e s a t th e E x p o siti o n i s t h e w ide E sp l a n a d e w h ic h r u n s fr o

m

M a c h in e ry H a l l to t h e M a s sa

chusetts B ui l di n g. T h is vi e w i s l oo kin g ea s t t ow a r ds th e Co l u m n o f P r ogr e s s_, W i t h t h e Ca li fo r n i a B u i l d i n g u p o n th e l e ft. T h e gro u p o f

TH E ESPL_{A NADE AN D TH E N EW} Y_ORK _S

T

_ATE BU_ILD_I NG

T h i s y iew o f the E s_planade sh o w s s e ve ra l o f th e S ta t e b u il di n gs_, wi t h t h e d o m e o f t h e M a s sa c h u s e t ts B ui

l

din g in t h e dis t an c e. N ew Yo rk_,

. t h e.

Em p i r e S ta t e,

"

i s r e s p l e n de n t i n re p re s en tati o n a t th e Exp o si ti o n , w it h on e o f th e fi nest an d l arge s t b ui l di n g s u p o n t h e M a r i n a. T h e State

T

H

E CA NADlAN_{, PH I}L_{I P}P_{I N E AN D} H_A

W

_{AIIAN PA}V_{I LION S}

E x ce p ting th e Ca l i fornia B u i l din g_, t h e Ca n a dian Pavi l io n i s th e l a rges t b uil di n g oth e r th a n e xh ibit p a l a c e s a t t

h

e E sp osition.

. T h e i n terior deco o rat_ions_{, .} en .

t_irel_y o f gr ai n s an_gl gra ss es_, p ictu r i n g fa rm in g_, f ore st s cenery_, an d c oun try la n ds cap e s_, i s a reve l at i o n i n dec ora t ive art. T he

Ph i l ip p i n e Pav xhon is ch a r ac te r i s t i c o f th e I sl an ds_, w i th op e n p ati o i n th e c en te r. T h e i n t eri or is fi nished in nati v e h a rdw o o ds. T h e fam ou s C

on

stabular_y B and gives ₍

i

ail_y con c erts. T he H a w aiia n B uil ding i s a b eau ti fu l s tru ct u re di r e c tl y fa ci n g t h e Ca l i f ornia B ui l din g.

W

hi l e i t ha s many

TH E I M PE RIA L

J

A PAN ESE PAVI LI ON AN _D G_ARD

E

_N

_S

_{AN D}

_J

_{APAN AN D} F_{O R MOSA TEA} H_OU_SES l. T h e m o s t p r o m in e n t bu il di n g i s t h e R ec e p tio n H a l l , er e c ted t o s h o w th e p u re J a p ane s e a r c h it ectu r e o f the fo u r t ee n th c e n t u ry, remod c l e d t o m od e r n a da p ta ti o n . T h e ga r d e n i s t y p i ca l Japa n e s e , fo r t h e l ay ing o ut o f w h i c h n o t o n ly th e s h r u b s a n d fl ow ers b u t e v e n t h e turfs an d r o ck s w e re b r ou g h t f r o m J a p a n . 2. T h e J a pan e s e T e a Pa vi li on_, u n de r t h e a u s pi c e s o f the J a pa n Ce n tra l T e a A s s oc ia tio n o f T o ki o_, is an

i n t er e s ting ex h ibi t o f en te r p r i s e fo r e x t ensi on o f tra d e b y t h e tea m e r ch an ts o f t h at cit y. 3. T h e F o rm osa T ea H ou s e i s u n d er th e au s p ic e s

FOREI GN P_AV_I L_{I O N S}

l. T h e Ch in e s e Pa vi l i on s c o m p ri s e m in ia t ure r ep r o du ctio n s o f p a la c e s i n th e

“

F o rb idd e n City o f Peki n _, the q ua rte r w h ere for ce n t urie s the

p rin c e s o f th e o l d e m p ir e m a de t h e i r h o m e s a n d fr o m w h i c h t h ey w ie l d e d s w ay ov e r th e i r va st do ma in s. 2. T h e l arg e a n d b ea uti f u l A u s t ra l ia n

Pavil i on i s a t t h e Pr e si di o e n t ra n ce. E x h ibit s afi ord strik in g evid en ce of t h e e n or m ou s p rim a ry r e s ou r c e s o f t h e g rea t Co m m o n w ea l t h. T h er e ar e

en o rm ou s e x h ibit s o f m ine ra l_, ag ric u ltu ra l_, a n d fo r e s try p ro du ct s di sp l ay e d i n end l e ss p r ofu si on. 3. T h e F r enc h Pavi lio n _, s ituate d o n t h e Ave

n u e o f N a t io n s, i s a r ep r od u c ti on o f t h e fa m o u s p a la ce o f t he Le gio n d

’H

onneu r. I ts e xh ibit s p ict u re t h e s ta n da rd s o f F r e n ch cu l t u r e a n d t h e

uni q u e in

g

lil

vidualism o f its c ivil iz ati on. 4. Enterp rising N e w Z ealand exh ibits in her p avi li on h e r w onderf u l g razing an d agricu ltu ra l p r ogress

FORElGN _PAV_IL_{IO N S}

1. F o r t h e D anis h Pav i l io n t h e fi nest a n d m o s t c o s t l y a r t ic l e s w h i c h are m a n u fac t u r e d in t h e Kin gd o m h av e be en s e l e c t e d. 2. T h e N eth er

l a n ds Pa vi l io n i s fi nished l avi s h l y i n c o l or_, f o l l o w in g t h e c o l or s ch e m e o f t h e Exp o siti o n pal a c es. T h e a r ch itectu re is s t ri kin gl y b ea uti fu l

an d in s trict c o n formity w ith D u tc h tra dit i on s. 3. S w e den

’

s Pavi l ion i s s itua ted on th e s outh si de o f th e Av e n u e o f N atio n s. I ts gr ea t sq u ar e

towers an d it s p a rti- c o l o r e d r o o f a r e di st ingu i s hing exte r ior fe atu r_es

. 4. N or w ay

’

s Pavi l i on, si t uat e d near t h e Pre sidi o entran ce t o th e E xposi

FORElGN PAVI LI ON S

l. T h e A rg e n tine Pa vi l ion i s one o f th e magnifi cent edi fi c es o f th e E xp osi ti on gr ou n d s_, s u r m o unt e d b y a maje s t i c t ow e r 150 fe et in h eigh t.

T h e A rg en tin e R e p u b l ic h a s m a d e an a p p r op riat io n o f n ea rl y for e x h ibi t s i n s ci e n c e

, ar t, in du s tr y, a n d c om m e r c e. 2. T he Gua t e

m a l a Pa vi li o n i s o n e o f th e m o s t or n a m e n t a l o f t h e fo r ei gn b uil di n g s . I ts e xh ib i t s a r e e s p ec ia l ly d e v o t ed t o s h o w in g i ts a gr icu l t u ra l an d edu ca

tional p r o gr e s s. 3. H on d u ra s h a s e r ect e d t h i s fi ne s t r u c t u r e_, b o t h f o r e xh ibi t a n d h os p ita l i ty p urp ose s. 4. Cu ba ’

s Pa v i lio n i s o f Spa n i s h

—

Am e ri

can

d

t_ype o f a rc h i t ec t u r e. 5 . T he B o livian Pa vi l i on c on tain s e xh ib its o f g o ld_, p latinum_, r u bbe r and its produc ti on _, c h oc o la te_, q uinin e_, and o t her

TH E C_AL_{I FO RN IA} B_{UI LDI N}G

T h e "Cal i fo rn ia B ui l di n g i s i n th e O ld M i s s io n sty l e o f a r c h i t e c t u r e. I t i s at t h e e n d o f A d m in i st ra tion A venu e_, u p o n t h e M a ri n a _, a n d e xt en d s

ba ck to th e w ate r fr o n t. I t h a s a t ow e r e d ma in b u i l din g tw o s t o r ie s h ig h w it h i m m e n s e i n n e r c o urt s an d ga rd en s . T h e r e a r e s e c ti ons for

a dminis t ra tio n p u r p os es, for t h e di sp l ay s o f fi fty

- eig h t co u n ti e s

, a n d f o r t h e s o cia l ev e n ts and f or h osp ital ity. I t is 700 f e e t l o n g a n d 350 f eet

STATE BU_ILDI NG_S

1. T h e K a n sa s B ui l di n g is fo r so cia l p u rp o se s. 2. M o n ta n a_, fa m o u s fo r i t s gra in s_, m i n e s_, a n d fr u i ts_, h a s a v e ry a t t ra c t iv e b uil ding l o ca te d

o n t h e M ar i n a . 3. N evada ha s a sta tel y b u i l din g

, w h i c h is u se d f o r s o c ial p u rp os e s e x c l u sive l y, h avi n g i t s e xh i bit s o f p r o du ct s i n t h e vari ou s

p a la c e s. 4. T h e grea t State o f M i s so u ri h a s a b ui l din g t h at i s p l ain_, dig nifi ed_, a n d state l y. T h e e x h ibi t s from t h e S t a t e a r e di sp l ay e d i n th e ma i n

p a la ces. 5 . U ta h _, fam o u s for h e r w on de r fu l m in e ra l an d agr i c u lt ural res ou r c e s_, is

‘keeping op e n h o u s e at t hi s b e au ti f u l b u i l di n g. 6. N ort h D ako ta

h as a b ea u ti ful b u i l din g, l o cate d n ea r th e w a t e r f r ont, wit h fi ne di sp l a y s o f c e rea l s an d ot h e r p r od u cts. 7. I n t h e I da h o B ui l din g am p l e pro

vi s io n h a s b e en m a d e for ente r tai n in g vi sitors. R e l ie f m ap s sh o wi n g t h e fo r matio n o f diffe r e n t o re

- p r o du cing p r o p er t ies

, a s

_ w

el l as ex h ib it s

STATE B_{UI LDI N} G_S ‘ 1. O h i o h a s a r e p r od u c ti o n o f i t s ca p i t o l a t Co l u m b u s , th e do m e om it t ed. 2. W e s t Vi rgin ia ' s s ta t e l y ma n sio n i s fa s h io n e d a ft e r t h e So u t h e rn Co l o n ia l h om e . 3. M a ry l a n d h a s ad op t e d t h e h o m e o f h e r fa m o u s s o n , s ig n e r o f t he D e c la ration o f I n de p e n d e n c e, Ca r ro l l of Ca r r o l l t on , a s

t h e m ode l fo r h e r State b u i l din g. 4. W i s co n sin h a s a Co lo n ia l h a l l fo r p u rp o s e s o f h o spi ta l it y. 5 . N e w J e r s ey ha s ta ke n t h e T r e n t on barra ck s

o f re v o l u tio n a ry p e ri o d a s a mo d e l for h e r Exp os iti on b uil din g. Pre s id e n t

W

i l son w i l l m ak e it h ea dq ua rte r s dur in g h is vi sit t o th e Exp osition.

6. Pen n sy lva n ia

’

s b ui l di n g, te mp o ra ry h o m e o f t h e Lib ert y B e l l, i s bu i l t i n Co lo n ia l s ty l e, a n d i s to som e e x t e n t p a t te r n e d a fte r I n d ep e n de n c e

H a l l _. 7. I n d

i

a n a

’

s bui ldi_ng i s it s e l f a S ta t e e x h ib i t, a l l m a t e ria l s i n i t c o m in g fro m the H o o sier S tate.

"

8. V irgi n ia i s re p rese n t ed by a r e pro

du ct ion o f G e o r ge

W

as h i n g ton’s h om e at M ou n t Ver n on

TH E Z ON _E LOOKlNG _{TOWARD F}lLL

M

ORE _{STR EET}

Amon g th e Z on e a t tra ctions

, wh ich are of most va ri e d ch ara ct er, a re th e followi n g "

T he P anama C anal_, at mammoth work in_g mod el showi n_g the manne r in

wh ich t h e can al i s op era ted.

C reat ion occupies a vas t st ruc tu re th e size of which enhances the im

p ressiv eness of th e _grea t mov in_g elemen ts which por tray th e ac tual crea tion.

T he 101 Ranch

—

T h e one _qua in t tou ch of the old w ild W estern days is

g iv en t h e E xposi tion by t he presen ce on t he Z one of t h e M iller B rothe rs'

101 R anch" W ild W est Show. I t i s a grea t ieee ta ken from the l as t bit

of _g enu in e fron t i er l i fe in t h e U n i ted S tates. T e whole

“sh

ow" was b rou_gh t

from t he M illers' hu_ge ra n ch down i n t h e old I nd ian T erri tory. I t comprises

a _two-h_our _{g u}n play

, w ith all the ca t tle ranch inc identals—roping, tying,

bulldo_ggi n_g, and I nd ian ba t tles.

T he Grand Canyon of Arizona reproduces that in terest i n_g sect ion w i th

chara c teri sti c scen es a n d peoples.

T he Yellowstone P ark is rep resen ted i n a mammoth en closu re wi th _grea t

fa i th fuln ess. a nd i s wonder full y pleasing.

T he Chi nese V illa_ge_, th e p rid e of t h e Chinese people of S an F ranci sco

, i s

full of pleasin_g feat ures wh ich d i stin_gui sh the Chin ese people_, as well a s

many mercan t ile bazaars. T oyland_, Grow n U p_, i s a _g reat b i_g a_gg re_gation of F red. T hompson 's ada pta tion s of Childhood’s _games an d stori es_, and takes fou rteen acres of g rotes_q

n

j e hou ses and cas tles to p rotec t t he elon_ga ted c i tizens of T oyland_, Grow n _p. T he ’49 C amp is espec ially appropri ate i n th e v ic in i ty of T h e Golden Ga te_, showin_g as i t does t h e mann er of l i fe in those early da ys. T he Dayton F lood shows t h e beau t iful Ohio c i ty_, be fore_, d urin_g. and a fter th e t erri ble d i saster of 1 9 13.

T he I rish V illa_ge i s an i n terest in_g pic t ure l i fted from th e beaut iful

E merald I sl e. T he J a unt ing C ar_, K erry Gow _, I rish Theater_, a nd many other

characteri sti c features of E rin are in ev idence.

T he L . A . T hompson

’

s Sceni c R ailway_, w ith i ts immen se elephan tine

fron t_. i s one of t he _g rea t popula r amusemen t fea tures of th e Z on e.

T he B a by I ncubator i s a sci_entifi c i ns ti tu tion f or the rearin_g of i nfa n ts

premat urely born_, an d t h e l i t tle ones always at trac t the k indl y i n teres t and

sol ic i tude of the people.

T he E volut lon of t he Dreadna u_ght i s a sp_ec tacular and reali st ic illus

tration of the bi rth_{, g} rowth_, and developmen t of the modern American navy. T he S ubmarines is one of t he fi nest amusemen t at tra ct ion s ever inven ted. T h e vi si tor i s taken lea_g ues u n der th e sea an d conduc ted f or miles a t the bo ttom of th e ocean _, w i tn ess in_g mos t wonderful si_ghts as sw i rled throu_gh the "‘b rin_y deep_, " w it nessin_g Dav y J on es_, a nd his locker_, an d scores of other fables of th e sea. J apan_, Beaut i ful_, i s one of th e lar_ges t sect ion s d evoted to amusemen ts and i s a fi ne represen ta tion of th e F lowe ry K in_gdom. T he Bat tle of Get t ysb u r_g, dep i ct in_g tha t memo rable ba ttle i n wh i ch th e two _great armi es are shown in t i t an i c s tru_ggle. T he Div ln_g Gi rls and N eptune’s Dau_ght ers d raw lar_g e crowd s of v isi tors to th e “

N ata tori um to w itn ess the ir sports and swimmin_g feats.

Alligator J oe 's F arm_, T he Old M ill_, N arren P allast _, or F oolish H ouse_, t he

Aero scope_, London to South P ole_, W ild Animal Show _, E den N uacc_, Mysterious

Orlent_, M ot ion P ict u res_, and a _grea t n umber of other at trac tion s are there

to amu se.

M an y typ ical v illages showin_g l i fe and cu stoms of n umerous fo rei_gn land s_,

Z ON_{E A}TT _RAC_{TI ONS}

1. B e h in d th i s s t r iki n g fr o n t a r e

, t h e in c li n e s a n d sw e ep s o f th e L . A . T h o m p so n Sc enic Rai l way . U p on a l l h o li day s, h a l f h o l iday s,

a n d m o st '

oth_ e r day s

. vi sito r s sta n d in l ong l in e s wa itin g op p o r t unity to b oar d

. t h e . ca r s. 2. T h e G ra n d Ca n y o n e x h ibi t i s m a de b y th e

San t a F e ' Ra i l r oa d Co m p a n y. H is a giga n ti c u n de r taki n g t o give a n a de q u a t e id e a o f t h e G ra n d

’

Ca n y o n _, b u t t h e re s ul t a ttain e d i s w o n

derf ul i n i t s rea li s m . 3. T oy l a n d

, c ov e ri n g fo urte e n a c r e s o f p l ayg r ound o f t h ril l s a n d l a u g h te r f or t h e un ive r s e o f c h i l d r e n gr o w n up_, is the

l a rge s t a m u s e m e n t co n ce ssi on eve r gran t e d at a n y I n t ern ati ona l E x p o si ti on . . 4. T h e Sa fet y Ra c e r i s o n e o f th e p op u l a r r ide a m u se m e n t attrae

e

i

x

u

w

i

Z ON_{E ATTRA}C_{TION S}

1. T h e fi rst t h i n g t o g re e t th e ey e o f t h e vi s it o r to th e S ub ma ri n e s i s a n a l l e go ri ca l fr o n t_, w i t h ca s ca d e s o f m o vin g w ate r ty p i fy i n g t h e r e s t

l e s s n e s s o f t h e o c ea n . A t t h e d o ck t h e p a s s en g e r e n te r s a s te e l s u b m a ri n e_, i s tak e n t h ro ug h t h e l aby ri n th s o f N ep tune, a s u c ce s si on o f

w on d_er f u l s c e n e s by H. Lo gan R e id o f N e w Y o rk C ity. 2. A t a n ex p e n ditu r e o f o v er t h e o r igin a l Pa n a m a Ca n a l a n d t h e s ur

r o u n d in g Z o n e t e r r i t ory h av e b e e n r ep r o du c e d i n m i n ia t u r e f or m s o ac c u rat e l y one ca n a l m o st im agi n e th at h e i s ta ki n g an a e r op l a n e t r ip ove r

t h e I s t h m u s of Pa n a m a . 3. T h e 101 R a n c h _, th e gr ea t s h o w d ep icting l i f e o n t h e p l a in s, i s a l w a y s a n int er e s t in g a n d e x c it ing en t e r ta inm e n t.

4. T h e Ye l lo w ston e Pa r k h a s w ith in al l t h e fa mi lia r fe a tu r e s

— _{t h e Old} _ F aithfu1 I n n , G ol de n Gat e Cl i ff, Eagl e N est R o ck, M am m oth Ho t Sp r in gs , F i s h in g Co n e_, th e F irehole_, Up p er Gey s er B a si n , Ye l l o w st o n e Lak e, a n d m any oth e rs.

C _{R EATIO} N—

_J

_APAN BEAUTlFUL

Creatio n is a p ortraya l by p ai n tin gs a n d e l e c trica l a n d m ec h anica l de vi c es o f t h e B ib l e sto ry o f Creati on. T h e divi sion s o f tim e w it h th e

p h en_om en on a c c om pa n yin g th e p rogre ss o f eac h da y a r e w o n de rf ul l y a n d bea u ti fu l l y eff e ctive. “ J apa n B ea uti fu l" 15 o ne o f t h e large st c onces S i on s m th e Ex p o s i t i o n g r o u n d s , coverin g m o r e th a n s q ua r e f e et. “ I t em bo dies the a ctu a l s c e n e s o f Ja pa n e s e l i fe in C i ty_, c o untry_, a n d Vi l l a ges. T h e e n tra n ce t o “ J apan B ea uti fu l" i s an exact r e p ro du c ti on o f th e D a ib utsu o f Ka mak ura_, th e fam ous statu e o f B u ddh a_, w h ic h is repro duced f or th e hrst ti m e o uts i de o f th e Ori ent.

Z _{ON E} A_{TT R}ACTlONS

l. T h e h om e o f Ca p tain _, th e edu ca te d h o r se. 2. T h e I n fant I n cu ba t or. 3. T h e Evo l utio n o f t h e D re adna u g h t. 4. T h e S ou th Po l e i s a r ep

resentation o f th e fate fu l tr ip o f Cap ta in S co tt. S. T h e T eh uant e p e c V il l age i s on e o f th e m o st refi ned a n d p l ea sin g co n c ess i on s u p on T he Z o n e.

6. T he A e r o s c op e l i ft s o n e t o a h ei gh t o f 235 fe e t_, givin g a c h a n c e for a w onderfu l vi e w o f th e su rro u n din g c o unt ry. 7. T h e

’

49 Cam p wa s b uil t

an d p e o p l ed to i l l u stra t e the li fe o f t h e m i n e r s o f th e r o manti c p e r io d in th e ea r l y day s of th e Ca l i f o rnia g ol d ru s h . 8. T h e e xte r i o r o f t h e Chi

n e se T h ea t e r. 9. T he I ri s h Vi l la ge. 10. Sc en e w it h in th e wal l s o f the c ity

, w h ere t h e Oriental s a re mak ing m err y w ith so n g, dance, a n d a cr o

bati c p er formances.

REN_QQIJ_L

Q

Q

_‘

Q

(K_{3 R}S_EMAY BE RECALLEDAFTER7 DAYS CH_AW_G'I _{S u} qv _se t om -3 _{5 Ans.} Ma MADE 4 ems pmoa m N l‘ n , OU DA RENEWA_{LS"C AL L t} fl si Mu NYHS. AN0 1-ysAR _ E Y_E.

D

U

E A

S

S

TA

M

P

E

D

BEL

O

W

UN_IVERS_ITY OF CALIFORN_IA , BERKELEY FORM NO. DD6 _, oom_, BERKELEY , CA 9 47 20