• Nenhum resultado encontrado

Resucito

N/A
N/A
Protected

Academic year: 2021

Share "Resucito"

Copied!
30
0
0

Texto

(1)

         

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Flauta Oboe Requinto Clarinete 1º Clarinete 2º Clarinete 3º Saxo Alto 1º Saxo Alto 2º Saxo Tenor Saxo Barítono Trompa 1º ( Fa ) Trompa 2º ( Fa ) Fliscorno 1 Fliscorno 2 Trompeta 1º Trompeta 2º Trombón 1º Trombón 2º Trombón 3º Bombardino Tuba Caja bombo y Platos f f p f f p f p f p f p f p f p f p f f f f f f f f f f p f p

Tambores Marcha Lenta f 2 3 4 5 6 p Caja China f Tutti 2 3 4 5 6                           3 3 3 3

RESUCITO

( Marcha de Procesión )

Música: Kiko Argueyo Adapt: José M. Bernal Gutiérrez PARTITURA  3 3 3 3    3 3 3 3  3 3 3 3  3 3 3 3  3 3 3 3  3 3 3 3  3 3 3 3  3 3 3 3     3 3 3 3 3 3    3 3 3 3 3 3    3 3 3 3    3 3 3 3    3 3 3 3    3 3 3 3    3 3 3 3 3 3    3 3 3 3 3 3    3 3 3 3 3 3  3 3 3 3        3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        

(2)

         Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja p 11 p P p p p p p p p p p p p p p p p p p p Sin Bordón p                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            2

(3)

          Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja Bombo y Platos mf 22 mf mf mf mf mf mf mf mf mf mf mf mf mf p mf p mf mf mf mf mf mf mf Parche 6 7 mf Tutti 2 3 4 5 6 7          3 3 3                3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                      3

(4)

         Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja f 33 f mf f f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f f f mf f mf f mf f mf f mf f

Tambores Marcha Lenta

mf              3 3 3                3 3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    4

(5)

          Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja Bombo y Platos 43 Sólo mf 3 mf Sin Bordón 4 5 6                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                   5

(6)

         Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja mf f 53 mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f mf f f

Tambores Marcha Lenta

                                   3                                   3                                                                                                                                                                                                                                                                                         6

(7)

          Flauta Oboe Requinto Cl. 1 Cl. 2 Cl. 3 Saxo A. 1º Saxo A. 2º Saxo T. Saxo Bari Trompa 1º Trompa 2º Flisc. 1º Flisc. 2º Tpta. 1º Tpta. 2º Tbn. 1º Tbn. 2º Tbn. 3º Bdno Tba. Caja Bombo y Platos 59 3 4 5 6 7          3 3            3 3                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           7

(8)

Flauta

f

p

9

mf

24

f

33

mf

f

49

60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











   

   

   

    

 

  

        

        

     

  

 

     

    

    

    

  

 

     

          

  

   

   

    

   

(9)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Oboe

f p p 9 mf 20 f 30 mf 40 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )













   

   

   

    

 

  

      

    

    

      

  

      

        

     

    

    

    

   

 

     

          

                       

        

  

  

   

    

   

(10)

Requinto

f

p

9

mf

f

25

34

mf

f

49

60

3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )

   

   

 

   

 

    

 

  

        

      

     

  

 

   

    

    

    

  

     

          

  

    

   

    

   

(11)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Clarinete 1º

f p p 9 mf 20 f 30 mf 40 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )













   

   

   

    

 

  

 

    

    

    

  

        

      

     

  

 

     

    

    

    

   

 

     

          

             

                 

  

  

   

    

   

(12)

Clarinete 2º

f p p 9 mf 20 f 30 mf 40 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )













   

   

 

   

 

    

 

   

 

    

    

    

  

        

               

     

    

    

    

                      

             

        

      

  

  

  

   

   

   

(13)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Clarinete 3º

f p p 9 mf 20 f 30 mf 40 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )













   

   

 

   

 

    

 

   

 

    

    

    

      

  

               

          

    

    

     

     

     

    

          

  

  

  

  

 

  

   

   

   



   

(14)

Saxo Alto 1º

f p p 9 mf 20 f 30 mf 40 mf f 49 60

3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )

   

   



   

 

 

    

 

  

 

    

    

    

  

        

               

          

    

    

     

     

     

    

                  

     

  

  

  

   

   

   



(15)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Saxo Alto 2º

f p p 9 mf 21 f mf 33 41 mf f 49 60

3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )

   

   

   

    

 

  

 

    

    

    

  

  

 

  

          

    

    

   

    

    

    

   

        

        

     

  

  

  

   

   

   

   

(16)

Saxo Tenor

f p p 9 mf 21 f mf 32 41 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )





3 3 3



3 3 3





3 3



3

                         

 

   

 

    

    

    

  

 

 

 

                     

     

                      

          

        

     

  

  





    

   

  

  

  

   

  

    

(17)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Saxo Barítono

f

p p 9 mf 20 f 31 mf 39 mf f 49 60

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )

 

 

 

  

 

  

    

    

    

         

              

  

   

 

                              

 

                       

    

       

       

       

    

(18)

Trompa 1º ( Fa )

f p p 9 mf f 22 mf 34 mf 43 f 57



3 3 3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











    

    

    

    

    

    

 



  

 

 

 

 

  

 

 

  

      

    

    

      

      

      

   

  

 

  

  

  

  

   

  

      

      

   

   

(19)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Trompa 2º ( Fa )

f p p 9 mf f 22 mf 34 mf 43 f 57



3 3 3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











    

    

    

    

    

    

 



  

 

 

 

 

   

  

 

  

      

  

    

    

      

      

      

   

  

    

  

  

  

   

  

      

      

   

    

(20)

Fliscorno 1º

f p 9 mf f 25 mf 37 mf f 47 59



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











   

   

 

   

 

    

 

  

 

        

      

     

  

 

   

      

    

    

               

 

    

                             

  

  

   

   

    

   

   

(21)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Fliscorno 2º

f p 9 mf f 25 mf 37 mf f 47 59



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











   

   

 

   

 

    

 

  

 

        

      

     

  

 

   

      

    

    

               

 

    

              

        

     

  

  

   

   

    

   

   

(22)

Trompeta 1º

f

p

mf

9

f

Sólo

mf

33

mf

49

57



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











   

   

 

   

 

    

 

  

          

    

    

   

                        

 

         

 



 

     

 





      



 



   



                            

(23)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Trompeta 2º

f

p

mf

9

f

33

mf

f

49

60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











   

   

 

   

 

    

 

  

          

    

    

   

   

                 

  

   

   

     

 

   

 

   

(24)

Trombón 1º

f p mf 9 f 26 mf 36 mf 44 57



3 3 3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











    

    

    

    

    

    

    

 

 

   

  



 

  

(25)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Trombón 2º

f p mf 9 f 26 mf 36 mf 44 f 57



3 3 3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











    

    

    

    

   

    

   

 

 

   

  

  



    

(26)

Trombón 3º

f p mf 9 f 26 mf 36 mf 44 57



3 3 3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )











    

    

    

    

    

    

    

  

  

   

                                       

  

  

  

     

  

  

  

  

   

   

   

   

   

   

   



    

(27)

IMPRESION MUSICAL MIGUEL GARCIA BERNAL

Bombardino

f p p 9 mf 20 f 29 mf 39 mf f 49 60



3 3 3 3

Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )





3 3



3 3 3 3





3 3



3

 

    

   

 

   

 

    

 

   

   

   

   

 

    

  

      

     

    

 

 

   

  

   

 

   

  

   

  

  

  

  

  

 

 

    

  

      

     

  

 

 

 

 

   

(28)

Tuba

f

p p 9 mf 20 f 31 mf 39 mf f 49 60



Música: Kiko Argueyo

Adapt: José M. Bernal Gutiérrez

RESUCITO

( Marcha de Procesión )













 

  

  

  

  

  





 

     

    

  

    

  

   

 

     

 

 

   

 

 

  

Referências

Documentos relacionados

Miguel Pestana de Vasconcelos (Universidade do Porto) Miguel Arenas (Universidade de Santiago de Compostela) Nicolas Rodrigues Garcia (Universidad de Salamanca) Pablo

Pensando nisso, apresentamos uma abordagem que trata do ensino de Estatística Descritiva no Ensino Superior Tecnológico, entendendo que o ensino dos conteúdos

O desconhecimento da maioria de nós sobre a existência de uma figura como Irineu Garcia e de um selo fonográfico com o perfil do selo “Festa” no cenário musical da

Apesar da volatilidade política verificada ao longo do mês de Abril, as curvas de juros locais fecharam o mês em patamares muito próximos aos níveis de abertura, ancoradas pelos

Fernando Batista dos Santos Thomazini Jardim Satélite - SJC 121492..

Cristina Garcia, Rocio Álvaro Sánchez, Catarina Oliveira, Patrícia Dores, Miguel Godinho (Centro de Investigação e Informação do Património de Cacela – CMVRSA)

Um ambiente alfabetizador deve promover situações de uso real de leitura e escrita nas quais o aluno tem a oportunidade de participar e que precisam de mediação pela escrita:

In the present study, we reported the fig wasp fauna associated with five Ficus species in the Central Amazon, Brazil, and considered some aspects of the pollination mode found in