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[PDF] Top 20 The Holocene transition and post-palaeolithic rock art from the Sabor Valley (Trás-os-Montes, Portugal)

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The Holocene transition and post-palaeolithic rock art from the Sabor Valley (Trás-os-Montes, Portugal)

The Holocene transition and post-palaeolithic rock art from the Sabor Valley (Trás-os-Montes, Portugal)

... outside Trás-os-Montes and Beira Alta that the motifs in the “Santo Antão da Barca” and “Veado do Cabeço do Aguilhão” rocks find their most obvious ...acknowledge the ... See full document

19

Spatial variability of the spider community in the olive grove agroecosystem in Trás-os- Montes (Portugal)

Spatial variability of the spider community in the olive grove agroecosystem in Trás-os- Montes (Portugal)

... affect the species composition of natural enemies within agroecosystems and it is crucial to know how spatial variability of natural enemies within crops could affect their ...characterize the ... See full document

6

A mineração romana no complexo de Tresmina e Jales (Trás-os-Montes, Portugal)

A mineração romana no complexo de Tresmina e Jales (Trás-os-Montes, Portugal)

... Tal como acontece com os canais, as lagoas e cisternas das zonas mineiras, não apresentam caráter duradouro, sendo construídas com terra e pedra. Na zona de mineração da Ribeira de Codes (Vila de Rei, Portugal), ... See full document

204

Trends in honey purchase and consumption in Trás-os-Montes region, Portugal

Trends in honey purchase and consumption in Trás-os-Montes region, Portugal

... considered the only food of animal origin that can be consumed without being ...processed. The literature presents several reasons why people consume honey, namely, it being a natural and healthy ... See full document

12

Antispasmodic activity of aqueous extracts from Mentha x piperita native from Trás-os-Montes region (Portugal)

Antispasmodic activity of aqueous extracts from Mentha x piperita native from Trás-os-Montes region (Portugal)

... of the abdominal cavity was made and a segment of distal ileum was removed and immediately placed nutrient of Krebs-Henseleit solution, at room ...temperature. The intestinal content was ... See full document

8

Illustrating the Sabor Valley (Trás-os-Montes, Portugal): rock art and its long-term diachrony since  the Upper Palaeolithic until the Iron Age

Illustrating the Sabor Valley (Trás-os-Montes, Portugal): rock art and its long-term diachrony since the Upper Palaeolithic until the Iron Age

... of the organization of space by recent Pre-Historic ...unlike the Medal Terrace or the Crestelos area, which are both places of habitat (although in the first case the remains were ... See full document

21

O clima de Trás-os-Montes – características, curiosidades e evolução The climate of Trás-os-Montes– characteristics, curiosities and evolution

O clima de Trás-os-Montes – características, curiosidades e evolução The climate of Trás-os-Montes– characteristics, curiosities and evolution

... O clima de Portugal, embora mediterrâneo por natureza, não deixa de apresentar influências diretas do oceano, visto por Ribeiro (1988) como um “regulador da atmosfera”. A posição do país, na fachada oceânica da ... See full document

10

The silk industry in Trás-Os-Montes during the Ancient Regime

The silk industry in Trás-Os-Montes during the Ancient Regime

... In the last two decades of the 18th century, a remarkable process of modernization took place thanks to the efforts of the businessmen involved in this economic activity, such as António José ... See full document

14

Palaeolithic engravings and sedimentary environments in the Côa River Valley (Portugal): implications for the detection, interpretation and dating of open-air rock art

Palaeolithic engravings and sedimentary environments in the Côa River Valley (Portugal): implications for the detection, interpretation and dating of open-air rock art

... that the density of rock art of the older phase in the Côa does not have any equivalent in other tributaries of the Douro drainage basin (Ribeira de Aguiar, Sabor ... See full document

15

Rock art as land art. A diachronic view of the Côa Valley (NE Portugal) Post-Palaeolithic rock art

Rock art as land art. A diachronic view of the Côa Valley (NE Portugal) Post-Palaeolithic rock art

... of the panel (Aubry and Sampaio, ...to the gravetto-solutrean (Baptista et al., 2008). It is an art that follows contemporary Palaeolithic cave ...on the Horse, Aurochs ... See full document

22

Quartz use in the absence of flint: Middle and Upper Palaeolithic raw material economy in the C^oa Valley (North-eastern Portugal)

Quartz use in the absence of flint: Middle and Upper Palaeolithic raw material economy in the C^oa Valley (North-eastern Portugal)

... characterize and study extra regional flint and silcrete, relying on field work and microscopic analysis on thin section of selected samples, in order to identify the sources of the ... See full document

17

New dating evidence from the Côa valley, Portugal

New dating evidence from the Côa valley, Portugal

... is the status of the very similar petroglyph site Siega Verde in ...km from the Côa sites, it is located in the valley of another southern tributary of the Douro River, ... See full document

7

Exploration Network of the Trás-os-Montes Digital Project

Exploration Network of the Trás-os-Montes Digital Project

... favour the access to the Information Society by several population layers, and to spread the use of telematics in the local and regional public administration, focusing on ... See full document

14

Palaeolithic open-air art: the impact and implication of a "new phenomenon"

Palaeolithic open-air art: the impact and implication of a "new phenomenon"

... conviction, and he and his followers began to attribute figures at other sites in Siberia and even Mongolia to the Palaeolithic simply because the Shishkino figures existed; ... See full document

12

Validating the transferability of ecological models under global change scenarios with Holocene rock-art

Validating the transferability of ecological models under global change scenarios with Holocene rock-art

... modelling the observed distribution of a species as a function of environmental conditions (Elith & Leathwick, 2009); and ii) mechanistic niche models aim to understand the environmental ... See full document

82

Rock Art and the Côa Valley Archaeological Park: A Case Study in the Preservation of Portugal's Prehistoric Parietal Heritage

Rock Art and the Côa Valley Archaeological Park: A Case Study in the Preservation of Portugal's Prehistoric Parietal Heritage

... INTRODUCTION: SAVING THE CÔA ROCK ART AND THE REORGANIZATION OF PORTUGUESE ARCHAEOLOGY Although Nelson Rebanda-the archaeologist working for the electricity company (EDP) [r] ... See full document

18

Understanding an Unique Conservation Work Environment: The Case of the Côa Valley Rock Art Outcrops

Understanding an Unique Conservation Work Environment: The Case of the Côa Valley Rock Art Outcrops

... of the general and particular state of conservation of the rock art panels and their ...in the conservation state of the outcrops can be easily included, and ... See full document

11

Energy from waste in Portugal: The state of the art

Energy from waste in Portugal: The state of the art

... • Despite the controversy, the incineration of waste has an important role in the management of all types of waste in Portugal – urban, industrial, health care and biomass. • The existi[r] ... See full document

34

The chronology of hand stencils in European Palaeolithic rock art: implications of new U-series results from El Castillo Cave (Cantabria, Spain)

The chronology of hand stencils in European Palaeolithic rock art: implications of new U-series results from El Castillo Cave (Cantabria, Spain)

... by the parietal stratigraphy of the El Castillo art in general nor by that of the Panel of the Hands in ...Since the time of the first study (Alcalde del Río et al., ... See full document

18

The Upper Paleolithic Rock Art of Iberia

The Upper Paleolithic Rock Art of Iberia

... Paleolithic rock art. The gamut of surface types for what we call Upper Paleolithic artistic expression has broadened: deep caves, cave mouths, shallow rock-shelters and open-air ... See full document

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