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Totaro. Poems 25 Le Simplegadi

Vol. XIV-No. 16 November 2016

ISSN 1824-5226

DOI: 10.17456/SIMPLE-39

This work is licensed under a Creative Commons Attribution 3.0

Paolo Totaro Poems

Fence Sitters I love fence sitters [who are] true to peace [as to] war [equidistant from] law [as to] crime. Dexterity [is] gauche. Sinisterness [may be] right.

Cast[ing] a shadow over the truth of a [midnight] moon in sunlight.

[But] fence sitters [require more than love] require the dark wild forces that make the skies rotate from right to left and [when not observed] from left to right, upside down, until all [views] are a-blend[ed] [with what were] swishes and zigzags [be]yond with[in] the fence sitters’ minds.

I love them in [the] a world now coming where [all ideas are a-blend[ed] Good [cute] bad [acute] obtuse [moral]

ambiguised supremized lethalfellated mighty sitters [right and] left brain anastomized [ now] scream cream [with me]: Hurray yarruH!

Fence Sitters

I hate fence sitters [who are] untrue to peace [as to] war [as distant from] law [as to] crime.

Dexterity [is not] gauche. Sinisterness [won’t be] right. Cast[ing] no shadow over the lie

of a [midnight] sun in moonlight.

[When] fence sitters [want less hate] they reject the luminous forces

that stop the skies rotate from left to right and [when observed] from left to theft, head upturned, until all [views] are suspended [with what will be] christmas wishes

[be]yond with[out] the fence sitters’ minds.

I hate them in [the] a world now gone where [all ideas are separated

Good [cute] bad [acute] obtuse [moral] ambiguised supremized lethalfellated mighty sitters [right and] left brain anastomized [ now] scream cream [with me]: Hurray yarruH! ... the melancholy souls of those

Who lived without either infamy or praise (Dante/Longfellow III).

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Le Simplegadi

Vol. XIV-No. 16 November 2016

ISSN 1824-5226

DOI: 10.17456/SIMPLE-39

Totaro. Poems 26 Naples, June 1944

Yes, we started not with Snow White but with Boris Karlóf.

We would rather take fright at one monster than scof at seven dwarfs.

Soppy scenes with heart-shaped apple pies, birds, dewy-eyed foal were no match for the giant man-made Man trudging to the Pole.

We were allowed to go to the nearby cinema, me and my then soul-mate. She and I were all of eleven, intrepid explorers, but home by eight.

It was the end of bombings. But then Vesuvius erupted. The counterfeit.

countervailed life’s ongoing horror. Frankenstein made us used to it. ... l’anime triste di coloro

che visser sanza ‘nfamia e sanza lodo (Inferno, III).

Paolo Totaro was born in Naples in 1933 and migrated to Sydney in 1963, where he joined the Australian Council as the irst Director of Community Arts. Among several other public positions, he was appointed Founding Chairman of the New South Wales Ethnic Afairs Commission, Visiting Professor of the University of Western Sydney and Pro-Chancellor at the University of Technology (UTS, Sydney). He has written poetry most of his life. Con-versazioni Mute was published in the anthology Two Hundred Years of Australian Poetry (OUP 1991), followed by Collected Poems 1950-2011 (Padana Press 2012).

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