PROPOSTA
Parâmetros
1. Dos cinco parâmetros propostos deverá escolher
dois para desenvolvimento. Publique o trabalho
realizado semanalmente numa plataforma digital criada
especificamente para a proposta.
2. Escolha um dos parâmetros para a realização de uma
publicação digital — ezine, ebook ou outro — com a
possibilidade da sua impressão no formato A4, e com uma
dimensão aproximada de 24 páginas.
3. Realize um ensaio crítico de ± 1000 palavras sobre
as referências associadas a um dos parâmetros, não
necessariamente dos dois escolhidos anteriormente.
Entrega final
4 de Junho 2021
Classificação da proposta
6 valores
Fotografias de Auggie Wren’s em ‘Smoke’, 1995 (fotografias originais de K.C. Bailey.)
PARÂMETRO 01
Escolha um ponto de vista fixo para a sua câmara fotográfica
num espaço a que tenha acesso diariamente e fotografe todos
os dias à mesma hora.
REFERÊNCIAS
SMOKE, WAYNE WANG, 1995
Auggie’s Photo Album
https://www.youtube.com/watch?v=JGV_h36uZ5E * As fotografias no álbum são da fotógrafa KC Bailey.
WREN — That’s right. More than four thousand pictures of the corner of Third Street and Seventh Avenue at eight o’clock in the morning, four thousand straight days in all kinds of weather. That’s why I can never take a vacation. I got to be in my spot every morning at the same time … every morning in the same spot at the same time. “People say you have to travel to see the world,” Auggie says. “Sometimes I think that if you just stay in one place and keep your eyes open, you’re going to see just about all that you can handle.” When a friend comments that all the snapshots look alike, Auggie points out the differences: the light, the season, and the look on people’s faces. It’s all a matter of slowing down.
DANIEL BLAUFUKS, TENTATIVA DE ESGOTAMENTO, 2017
https://lsoares.blogs.sapo.pt/daniel-blaufuks-tentativa-de-1583874
ALPER YEŞILTAŞ, 12 YEARS: STORY OF AN UNKNOWN WINDOW
https://www.behance.net/gallery/69765061/12-Years-Story-Of-An-Unknown-Window
CHRISTOPHER ANDERSON: LIVROS E ARTIGOS
Stump, RM 2013
https://vimeo.com/326553579
Cop, Stanley Barker, 2013
https://vimeo.com/345024607 Approximate Joy, 2018 https://vimeo.com/291075025 https://americansuburbx.com/2019/07/christopher-anderson-cop-interview.html https://americansuburbx.com/2018/10/christopher-anderson-manic-compression-high-defi-nition-society.html https://americansuburbx.com/2012/02/interview-interview-with-christopher-ander-son-2012.html
PARÂMETRO 02
Registe diariamente um detalhe da sua rua e outro da sua casa.
Registe o tempo de exposição de cada uma das imagens.
Pesquise online uma imagem que se relacione com esses detalhes.
REFERÊNCIAS
UN UNIVERSO PEQUENO, ANTONIO XOUBANOVA, 2015
https://vimeo.com/135965498
“A Small Universe is my imaginary of the universe in 2.5 seconds and 10 linear metres of street”
Sobre o projecto de Antonio Xoubanova
https://americansuburbx.com/2015/09/antonio-xoubanova-a-cinematic-history-of-bibli-cal-bee-keeping.html
TWO THOUSAND LIGHT YEARS FROM HOME, PIETRO MATTIOLLI, 2012
https://vimeo.com/54015740
«Mattioli, a new father at the time, photographed a series of objects — fences, light posts, trees, each lit solely by a burst of flash—while strolling at night through his yard and along near-by streets. His meanderings, taken while his child slept, were constrained near-by the radius of his baby-monitor reception. The light-pink cover of the book is deceptively plain, with the title type marching around the cover’s perimeter much as Mattioli circumnavigated his neighborhood. The volume offers a completely non-narrative collection of images. The conceptual thread and the unusual material structure of the book hold it all together: a father, with a flashlight, seeking out and illuminating the things that lurk in the night.»
WORLD OF DETAILS, VIKTORIA BINSCHTOK, 2013
https://viktoriabinschtok.wordpress.com/publications/world-of-details/
CADERNOS DE IMAGEM, ÂNGELO DE SOUSA, 2017
https://www.publico.pt/2017/09/04/culturaipsilon/noticia/o-prazer-da-imagem-1783356
PARÂMETRO 03
Fotografe uma montanha.
Na legenda, indique as suas coordenadas geográficas (pontos
imaginári-os na superfície do globo terrestre, definidimaginári-os pela intersecção de linhas
também imaginárias, longitudinais e transversais em relação ao eixo de
rotação da Terra).
REFERÊNCIAS
THE MAP AND THE TERRITORY, LUIGI GHIRRI, 2017
https://mackbooks.co.uk/products/the-map-and-the-territory
https://www.nytimes.com/2016/07/03/magazine/luigi-ghirris-brilliant-photographic-puz-zles.html
THIS WORLD AND OTHERS LIKE IT, DREW NIKONOWICZ, 2019
https://vimeo.com/379303896
«I don’t think we need to look into the future to find alternate realities. We already have access to an uncountable amount through entertainment, virtual reality simulations, rover & probe-based imagery and more. Part of navigating the real vs virtual is to suggest that they are one in the same. One cannot exist without the other, and they’re interchangeable in our daily lives. Our actions and experiences within virtual spaces now have clear and measurable impact on our physical ‘real’ lives – and vice versa. We are constantly moving beyond the present state of things into these alternate realities.»
https://americansuburbx.com/2019/07/drew-nikonowicz-this-world-and-others-like-it.html
PRIMAL MOUNTAIN, YUJI HAMADA, 2019
https://vimeo.com/381155407
«In March 2011, the Great East Japan Earthquake occurred. Afterwards, everyday life quaked in the unreliable information that was being released.The information that was broadcast by the media, the information that we received, didn’t match up to the reality that was before our eyes. Around that time, one of my good friends sent me a postcard with a photo of beautiful Swiss mountains. It was so picturesque that the more I looked at the photo the more it started to look unreal, to the point that my brain started to register it as a two-dimensional drawing. I thought about how a photograph, which is meant to capture 3D aspects of the world, is perceived as something two-dimensional.»
NINE NAMELESS MOUNTAINS, MAANANTAI, 2013
https://vimeo.com/79028135
THE MOON, CONSIDERED AS A PLANET, A WORLD, AND A SATELLITE,
James Nasmyth James Carpenter, 1885
The Moon, Considered as a Planet, a World, and a Satellite, James Nasmyth James Carpenter, 1885
PARÂMETRO 04
Seguindo a proposta de John Baldessari desenvolva uma série fotográfica
para ilustrar uma hipótese cientifica (adpatada ou original) ou um
conjun-to de provas forenses de um hipotético crime.
REFERÊNCIAS
JOAN FONTCUBERTA, FAUNA, 1989
https://www.youtube.com/watch?v=xGDMsPOHqus
Contranatura, 2006 — https://www.youtube.com/watch?v=N2QvSGlg74w
Stranger than fiction, 2014 — https://www.youtube.com/watch?v=px2_usjIksE
https://americansuburbx.com/2014/03/review-joan-fontcuberta-photography-nature-na-ture-photography-2014.html
LARRY SULTAN & MIKE MANDEL, EVIDENCE, 1977
https://www.coursera.org/lecture/photography/3-5-larry-sultan-and-mike-mandel-evidence-1977-VKSCa
SOFIA BORGES, THE SWAMP, IMAGES DO NOT EXIST, 2016
https://vimeo.com/169232234
PAWEŁ BOWNIK, DISASSEMBLY, 2015
https://www.youtube.com/watch?v=dTxKT-K-rl4
JOHN BALDESSARI
Contacts: https://vimeo.com/22537295
A Brief History of John Baldessari com Tom Waits:
https://americansuburbx.com/2012/10/asx-tv-john-baldessari-a-brief-history-of-john-baldessari-2012.html
PARÂMETRO 05
Escolha um filme ou livro da sua preferência.
Sem sair de casa conte a mesma história em 15 imagens fotográficas.
REFERÊNCIAS
CRISTINA DE MIDDEL: LIVROS E ARTIGOS
This is What Hatred Did, RM 2013
https://vimeo.com/152268168 Sharkification, 2016 https://vimeo.com/151133120 Man Jayen, 2015 https://vimeo.com/152267843 The Afronauts, 2012 http://www.lademiddel.com/the-afronauts-1.html https://vimeo.com/43859875 https://americansuburbx.com/2013/05/asx-interviews-cristina-de-middel.html https://www.lensculture.com/cristina-de-middel
LUIS COBELO , ZURUMBÁTICO, 2017
An endless journey to the place where One hundred years of solitude, the literary work of the writer Gabriel García Márquez was born.
