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ROGRAMAÇÃO CULTURAL E QUA TO
EXERCÍCIO DE PODER
Eliana Raquel Silva Ramalho Lopes
Dissertação de Doutoramento em Ciências da Comunicação
MAIO
, 2010
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RESUMO
PROGRAMAÇÃOCULTURALE QUA TOEXERCÍCIO DEPODER
Eliana Raquel Silva Ramalho Lopes
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ABSTRACT
CULTURALPROGRAMMI G AS A EXPRESSIO OF POWER
Eliana Raquel Silva Ramalho Lopes
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Introdução...1
I. Programa: suporte de experiência...15
I.1. Origem e evolução do conceito de Programa ...19
I.2. Escrita: entre o traço...31
I.3. Meta programa: do rizoma à rede ...41
II. Conceitos de cultura da programação ...61
II.1. A cultura do programador...80
+?#K#P# ###############################################################################################################QR +?#K#E# " ###################################################################################################################################QS +?#K#T# + 3 #################################################################################################SU +?#K#L# 2 2 ##################################################################################################################KFE +?#K#R# 0 #################################################################################################################################KKF +?#K#U# 4 ####################################################################################################KPF +?#K#Q# / - ##########################################################################################################KPE II.2. Memória e arquivo ...124
II.3. (ovos meios tecnológicos...135
III. Poder de programar ...149
III.1. Campo, habitus e distinção ...161
III.2. Discursividade do programador ...172
III.3. Legitimidade e Representação ...180
IV. Espaços artísticos e formas de sociabilidade...191
IV.1. Museu enquanto complexo expositivo ...199
IV.2. Teatro enquanto complexo exibicionário ...205
IV.3. Formação da esfera pública a partir do século XVIII ...207
IV. 4. Modelos de programadores e de programações ...228
IV.5. Teatros e museus como regime de verdade ...235
V. Programação cultural: entre a economia e a crítica...239
V.1. Programação cultural e economia da cultura...246
V.2. Programação cultural ou o poder da crítica...252
Conclusão ...255
Anexos ...281
Anexo 1: Entrevista a José Bastos, director artístico do Centro Cultural Vila Flor, Guimarães...283
Anexo 2: Entrevista a António Jorge Pacheco, director artístico da Casa da Música, Porto...303
Anexo 3: Entrevista a Américo Rodrigues, director artístico do Teatro Municipal da Guarda ...323
Anexo 4: Entrevista a Manuela Barros, fundadora do Balleteatro, Porto ...339
Anexo 5: Entrevista a Paulo Brandão, director artístico do Theatro Circo, Braga ...353
Anexo 6: Entrevista a Rui Horta, fundador de O Espaço do Tempo, Montemor O (ovo ...367
Anexo 7: Entrevista a Miguel Wandschneider, coordenador de artes visuais da Culturgest ...383
Anexo 8: Entrevista a Jorge Salavisa, director artístico do Teatro Municipal S.Luiz, Lisboa ...393
Anexo 9: Entrevista a António Pinto Ribeiro, programador do “Próximo Futuro”, Fundação Calouste Gulbenkian...407
Anexo 10: Entrevista a Isabel Carlos, directora do Centro de Arte Moderna – José Azeredo Perdigão, Fundação Calouste Gulbenkian...419
Anexo 11: Entrevista a (atxo Checa, director da Galeria Zé dos Bois, Lisboa...433
Anexo 12: Entrevista a João Fernandes, director do Museu de Serralves, Porto ...449
Anexo 13: Entrevista a Luís Pereira Leal, antigo director do Serviço de Música da Fundação Calouste Gulbenkian...473
Anexo 14: Entrevista a José Laginha, director artístico do Centro de Artes Performativas do Algarve, Faro ...493
Introdução
E tu, também, investigador da verdade, não és mais do que uma das sendas, uma das pistas da minha vontade; na verdade, a minha vontade de poder segue também os traços da tua vontade de verdade (…) Os vossos juízos de valor e as vossas teorias do bem e do mal são meios de exercer o poder. Ó avaliadores, é esse amor secreto com que brilham os vossos corações, fremindo e transbordando das vossas almas. Mas há uma força maior que extrai dos vossos valores o seu crescimento, e uma nova vitória sobre si, que parte os ovos e as suas cascas. E aquele que tem a vocação de inovar em matéria de bem e de mal começará necessariamente por destruir e quebrar os valores
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