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[PDF] Top 20 "On endless motion": depiction of movement in the Upper Palaeolithic Côa Valley rock art (Portugal)

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"On endless motion": depiction of movement in the Upper Palaeolithic Côa Valley rock art (Portugal)

"On endless motion": depiction of movement in the Upper Palaeolithic Côa Valley rock art (Portugal)

... that rock art, as any other product on human activity, anywhere and at any given moment, has manifold overlapping ...meanings. In today‟s world of „Homo globalis‟, it is common sense, ... See full document

17

Illustrating the Sabor Valley (Trás-os-Montes, Portugal): rock art and its long-term diachrony since  the Upper Palaeolithic until the Iron Age

Illustrating the Sabor Valley (Trás-os-Montes, Portugal): rock art and its long-term diachrony since the Upper Palaeolithic until the Iron Age

... that the Palaeolithic is lacking evidence for open-air rock art and, in the Iron Age, the open-air rock art is not as visible as in recent ...portable ... See full document

21

Fariseu: First confirmed open-air Palaeolithic parietal art site in the Côa Valley (Portugal).

Fariseu: First confirmed open-air Palaeolithic parietal art site in the Côa Valley (Portugal).

... wisdom the idea that Palaeolithic parietal art was confined to caves where it could be kept hidden from uninitiated ...that the age of hundreds of petroglyphs discovered ... See full document

9

The Upper Palaeolithic rock art of Portugal in its Iberian context

The Upper Palaeolithic rock art of Portugal in its Iberian context

... Côa valley. Moreover, a lot of rocks that were engraved during this phase are probably under the sediments of the valley, and these buried rocks most probably belong to ... See full document

15

The Holocene transition and post-palaeolithic rock art from the Sabor Valley (Trás-os-Montes, Portugal)

The Holocene transition and post-palaeolithic rock art from the Sabor Valley (Trás-os-Montes, Portugal)

... feature of the Côa valley rock art, with several panels featu- ring equids, bovines, caprids and ...cervids. In terms of existing cervids at the Côa ... See full document

19

Slope orientation of rock art sites in the Côa Valley, Portugal: A case study in the spatial distribution of open-air Upper Palaeolithic rock art

Slope orientation of rock art sites in the Côa Valley, Portugal: A case study in the spatial distribution of open-air Upper Palaeolithic rock art

... One of the suggested routes to enter the Côa would be via the Massueime ...stream. The Massueime’s mouth is only 3km. from the Penascosa/Quinta da Barca Gravettian ... See full document

21

The Quaternary rock art of the Côa Valley (Portugal)

The Quaternary rock art of the Côa Valley (Portugal)

... point of view (Fig. 3), the Quaternary motifs are similar to those featured in the parietal art of the Iberian Peninsula and the Franco-Cantabrian ...Some of ... See full document

22

Rock art as land art. A diachronic view of the Côa Valley (NE Portugal) Post-Palaeolithic rock art

Rock art as land art. A diachronic view of the Côa Valley (NE Portugal) Post-Palaeolithic rock art

... has the largest group of rock art from the early phases of the ...walls of this deeply incised area allowed the preservation of painted ...motifs. ... See full document

22

Open-air rock-art, territories and modes of exploitation during the Upper Palaeolithic in the Côa Valley (Portugal)

Open-air rock-art, territories and modes of exploitation during the Upper Palaeolithic in the Côa Valley (Portugal)

... from these locations, suggest an association with undated and defined human occupation activi- ties on floodplain erosiorial deposits. Mean- while, we must he cautious in generaliz[r] ... See full document

15

Travels to the Côa Valley. Discovering a lost gallery of stone age art

Travels to the Côa Valley. Discovering a lost gallery of stone age art

... types of engravings have been recognised: the most dominant is the filiform incision, created by a small lithic blade tool (probably flint or quartz) that enables very fine engravings of red ... See full document

5

Directing the eye. The Côa Valley Pleistocene rock art in its social context

Directing the eye. The Côa Valley Pleistocene rock art in its social context

... The Upper Palaeolithic Côa Valley settlement is defined by 22 sites securely identified on surface, 15 of which have been excavated or surveyed (Aubry ...divided in ... See full document

8

The Côa petroglyphs: An obituary to the stylistic dating of Paleolithic rock art

The Côa petroglyphs: An obituary to the stylistic dating of Paleolithic rock art

... His analysis of the nanostratigraphy of the ac- cretionary deposits and the dates he secured from deposits older and younger than the rock- art provide reliable age estimates [r] ... See full document

7

Quartz use in the absence of flint: Middle and Upper Palaeolithic raw material economy in the C^oa Valley (North-eastern Portugal)

Quartz use in the absence of flint: Middle and Upper Palaeolithic raw material economy in the C^oa Valley (North-eastern Portugal)

... relying on field work and microscopic analysis on thin section of selected samples, in order to identify the sources of the lithic raw material found at C^oa Valley ... See full document

17

Aesthetics, ethics and rock art conservation: how far can we go? The case of recent conservation tests carried out in un-engraved outcrops in the Côa valley, Portugal

Aesthetics, ethics and rock art conservation: how far can we go? The case of recent conservation tests carried out in un-engraved outcrops in the Côa valley, Portugal

... that the object to be conserved is not only the engraved areas but the totality of the ...assumption in planning and implementing conservation interventions if we also want to ... See full document

10

Fluvial dynamics and palaeolithic settlement: new data from the Côa Valley (Portugal)

Fluvial dynamics and palaeolithic settlement: new data from the Côa Valley (Portugal)

... found in a topographic platform located ...above the present-day Côa riverbed (m a.r.b) (Fig. 4). The cross- section exposed in areas excavated between 1997 and 2018 revealed the ... See full document

21

The Upper Palaeolithic of Europe

The Upper Palaeolithic of Europe

... between the Bohunician and the Ehmiran of the Near East, and both emerge at about the same time, some scholars have suggested that the former is in fact but a westward ... See full document

33

Comments on treatment proposals for rock art at Foz Côa

Comments on treatment proposals for rock art at Foz Côa

... 2004, the PAVC set a tender for conservation for the rock engravings, located on schist outcrops throughout the ...focusing on specific outcrops within the three main ... See full document

10

The chronology of hand stencils in European Palaeolithic rock art: implications of new U-series results from El Castillo Cave (Cantabria, Spain)

The chronology of hand stencils in European Palaeolithic rock art: implications of new U-series results from El Castillo Cave (Cantabria, Spain)

... synthesis of Palaeolithic rock art (Alcalde del Río et ...them in the Aurignacian-Perigordian (approximately from 40,000 to 22,000 ...mostly of pre-Magdalenian age but ... See full document

18

Palaeolithic open-air art: the impact and implication of a "new phenomenon"

Palaeolithic open-air art: the impact and implication of a "new phenomenon"

... none of these factors can really withstand scrutiny. The presence of palaeolithic settlements in the area in no way provides a date for these ...images. The front ... See full document

12

Land snails as a diet diversification proxy during the early upper palaeolithic in Europe.

Land snails as a diet diversification proxy during the early upper palaeolithic in Europe.

... accumulations of large snails dated during the Gravettian period ...reported on the basis of taxonomic, taphonomic and biometric data and their association with occupational features, ... See full document

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