ABSTRACT
This work aims to stablish the dialogue between theology and literature from the method of correspondence of the Antonio Carlos Magalhães, with the central dialogue focus on the theme of freedom. The literature of Dostoyevsky in The Idiot and The Brothers Karamazov - reference works - shows the freedom with Christ as the main reference, for this, Dostoyevsky's Christ is the Christ of freedom. This understanding of freedom in Dostoyevsky occurs from an anthropogenic-theological consciousness. In the same direction goes the Latin American theological thought of Juan Luis Segundo and José Comblin that presents a human as free as God himself is, who is responsible for building or creating his world and not remanded to determinisms. In this dialogue, therefore, there is an attempt of approach between the Russian literature of the 19th century, of Dostoyevsky, with the Latin American theology of the 20th and 21th of Juan Luis Segundo and José Comblin. Freedom being worked from the literary- fictional universe of Dostoyevsky in correspondence with the Latin American theology. Both pointing to a human construction, so not complete, that builds the life from freedom - freedom not stablished or calling for freedom - which must be lived in love, even before the cursed human issues.
