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Original Article

Artigo Original ISSN 2317-1782 (Online version)

This is an Open Access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Acoustic and aerodynamic measures in

singers: a comparison between genders

Medidas acústicas e aerodinâmicas em

cantores: comparação entre homens

e mulheres

Patrícia de Freitas Lopes Genilhú1

Ana Cristina Côrtes Gama1

Keywords

Voice Acoustics Evaluation Music Dysphonia

Descritores

Voz Acústica Avaliação Música Disfonia

Correspondence address:

Patrícia de Freitas Lopes Genilhú Departamento de Fonoaudiologia, Faculdade de Medicina, Universidade Federal de Minas Gerais – UFMG Av. Alfredo Balena, 190, sala 249,

Santa Efigênia, Belo Horizonte (MG),

Brasil, CEP: 30130-100. E-mail: [email protected]

Received: November 11, 2017

Accepted: January 24, 2018

Study conduct at Programa de Pós-graduação em Ciências Fonoaudiológicas, Universidade Federal de Minas Gerais – UFMG - Belo Horizonte (MG), Brasil.

1 Departamento de Fonoaudiologia, Faculdade de Medicina, Universidade Federal de Minas Gerais – UFMG -

Belo Horizonte (MG), Brasil.

Financial support: nothing to declare.

Conflict of interests: nothing to declare. ABSTRACT

Purpose: Compare acoustic and aerodynamic voice measures between male and female singers. Methods: A cross-sectional, observational, comparative study conducted with a convenience sample. Study participants were 30 male and 30 female singers. Acoustic (vocal intensity and fundamental frequency) and aerodynamic

(expiration time, air pressure, expiratory and voice airflow, expiratory volume, aerodynamic power and resistance, acoustic impedance, and aerodynamic efficiency) measures were assessed during emission of the syllable /pá/,

at usual frequency and intensity, for seven consecutive times. These emissions enable extraction of air pressure

measures (obtained by the plosive consonant /p/, which estimates glottic pressure), as well as of airflow and acoustic voice measures (obtained by the vowel /a/ and the syllable /pá/). Results: Women presented higher

values of fundamental frequency compared with those of men. No differences were identified in the evaluation

of aerodynamic measures between the groups. Conclusion: Values of aerodynamic measures do not differ

between male and female singers.

RESUMO

Objetivo: Comparar medidas acústicas e aerodinâmicas da voz em homens e mulheres cantores. Método: Trata-se

de um estudo transversal, observacional, comparativo, com amostra de conveniência. Participaram do estudo 30 homens e 30 mulheres cantores. Foi realizada avaliação das medidas acústicas (intensidade e frequência fundamental) e aerodinâmicas (tempo de expiração, pressão aérea, fluxo de ar expirado e vozeado, volume expiratório, potência e resistência aerodinâmica, impedância acústica e eficiência aerodinâmica) durante a emissão da sílaba /pá/ em frequência e intensidade habituais, sete vezes consecutivas. Estas emissões permitem

a extração de medidas de pressão aérea (obtidas da consoante plosiva /p/ que estima a pressão glótica) e das

medidas de fluxo aéreo e acústicas da voz (obtidas da vogal /a/ da sílaba /pá/). Resultados: Na comparação de

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INTRODUCTION

An individual’s vocal quality results from the interaction

of aerodynamic forces characterized by expired airflow,

myoelastic forces of the larynx, in addition to contributions

of the vocal tract filter(1). The larynx functions as a transducer,

converting aerodynamic energy into acoustic energy. The airflow

is transformed into acoustic energy by means of the opening and closing cycles of the vocal folds. The respiratory system is responsible for providing the energy needed for phonation;

therefore, impairments in this system may affect professionals

who use their voice as a working tool(2).

Voice production presents a multidimensional function, and

through assessment of the different vocal parameters is possible

to (1) quantify voice quality more accurately; (2) understand the

effects of a given treatment, either surgical, pharmacological, or phonotherapeutic; and (3) correlate the different vocal evaluation

data for a better understanding of the functional mechanisms involved in phonation(2-3).

Assessment of the aerodynamic measures of singers is of utmost importance, because they use respiration as a basis for the adequate production of the quality of their singing voice.

Increased airflow and subglottic pressure can occur at any moment, and any respiratory or laryngeal inefficiency may

impair vocal production(4). The specific scientific literature

reports that singers differ from the general population regarding

the values of aerodynamic measures because of the muscular training they perform(5). Singers tend to present lower airflow

and subglottic pressure values than non-singers, demonstrating

that these professionals have greater aerodynamic efficiency(6).

A study conducted with singers of different musical styles

observed that the aerodynamic measures of subglottic pressure

and expiratory volume were different, because each singer

makes particular vocal adaptations to language, type of music, interpretation, and individual characteristics(4).

Singing requires control and precision of breathing and

phonation and, consequently, greater glottal airflow efficiency(6).

Lack of harmony in one of the functions of these systems can

generate imbalances and affect the ability to maintain adequate

sound quality(7). An individual with good respiratory training

in singing uses glottal airflow properly.

Aerodynamic analysis of the voice is becoming increasingly viable and common in clinical practice in vocal health as a result

of scientific advances. The first aerodynamic measurements

were direct, thus invasive, considering that they measured subglottic pressure through puncture of the cricothyroid membrane(8). Technological advances enabled extraction of

aerodynamic measures indirectly, and parameters of airflow and

subglottic pressure began to be estimated by intraoral pressure measurements(9).

Anatomical and functional differences in the larynx and the

acoustic characteristics of the voice of men and women have been previously analyzed in the literature comprehensively(10-12).

However, few studies have investigated differences in the aerodynamic parameters of airflow and subglottic air pressure

associated with gender(13-15), and no studies analyzing these

differences in singers have been found.

Understanding the acoustic and aerodynamic characteristics

of the voice in singers and the differences between these aspects

regarding gender is of fundamental importance to subsidize the vocal training of singers. It is known that the anatomical

differences between the male and female vocal apparatus

interfere with the acoustic characteristics of the voice(10-12) and

with the aerodynamic parameters of the spoken voice(13-15),

but the differences generated by gender in the acoustic and

aerodynamic parameters of the voice of singers have not yet

been studied in the specific literature. It is assumed that male and female singers present different acoustic and aerodynamic measures of the voice as a result of anatomical differences in

the larynx and respiratory system.

In this context, the objective of this study was to compare acoustic and aerodynamic voice measures between male and female singers.

METHODS

This cross-sectional, observational, comparative study was conducted with a convenience sample and approved by the Research Ethics Committee of the Universidade Federal de Minas Gerais (UFMG) under protocol no. CAAE 48085815.2.0000.5149. All participants were informed about the objectives and procedures of the study and signed an Informed Consent Form (ICF).

Study participants were 60 individuals of both genders: 30 men aged 19-48 years (mean=28.6) and 30 women aged 18-36 years (mean=26.1). The groups were matched for age (p=0.208), musical genre, and singing experience time. All participants were selected at singing schools.

Inclusion criteria were as follows: professional or amateur singers with absence of vocal complaints and/or impairments and presence of normal larynx, aged 18-55 years - because this is considered the period of greater vocal stability, thus eliminating any impairment associated with the phase of voice change or with aging. Exclusion criteria comprised smokers, pregnant women, or women in the menstrual period.

Laryngeal assessment was performed through high-speed videolaryngoscopy, which accurately and clearly captures the glottic opening and closing phases, using a Computerized Speech Lab (CSL) Kay Pentax™ Model 6103 console (Lincoln Park, NJ, USA), by a single otolaryngologist. Larynxes whose exams presented complete glottic closure were considered normal, or in the cases of women with posterior triangular cleft, and without lesions in both vocal folds.

All participants were evaluated for presence of vocal and voice quality complaints by a speech-language pathologist with

expertise in voice and over five years of practice. Participants

without vocal complaint and with neutral vocal quality were included in the study.

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21 (70%) were popular singers with 4-12 years (mean=7.3) of experience and nine (30%) were classical singers with 3-10 years (mean=6.6) of experience. In the group of men, 19 (63.3%) were popular singers and 11 (36.7%) were classical singers, with 5-13 years (mean=7.5) and 4-15 years (mean=6.9) of experience, respectively.

Acoustic and aerodynamic measures of voice were obtained with the CSL Kay Pentax™ Model 6103 program (Lincoln Park, NJ, USA) with a Phonatory Aerodynamic System (PAS) module installed in a Dell, Optiplex GX260 personal computer and a Direct Sound professional sound card at the Observatory of Functional

Health in Speech-Language Pathology of the Medical School of

UFMG (OSF/UFMG). These measures were obtained through

emission of the syllable /pá/ at usual frequency and intensity for

seven consecutive times. According to the manual “Phonatory aerodynamic system: a clinical manual Kay Pentax™”, these emissions enable extraction of air pressure measures (obtained by the plosive consonant /p/, which estimates glottic pressure),

as well as of airflow and acoustic voice measures (obtained by the vowel /a/ and the syllable /pá/)(16).

Aerodynamic measures were recorded using a silicone face mask placed on the participant’s mouth. This mask was coupled to a device connected to a pressure transducer, and the intraoral pressure was measured by means of a small-diameter polyethylene catheter inserted into the mask through a lateral

orifice and positioned in the central part of the participant’s

tongue; the other end of the catheter was attached to the pressure transducer (Figure 1).

Acoustic measures of vocal intensity and fundamental frequency (f0) were obtained using a unidirectional condenser microphone attached to the back of the face mask. All signals from the transducer and the microphone were sent to the CSL program for analysis. The acoustic and aerodynamic measurements were conducted in acoustically treated environment, with ambient

noise <50 dBNPS defined by an Instrutherm Model DEC-490

sound pressure level meter.

The following acoustic parameters were analyzed:

Maximum intensity: maximum value of vocal intensity measured in dBNPS.

Mean intensity: mean value of vocal intensity measured in dBNPS.

Mean intensity of voiced segments: mean intensity value considering the voiced segments measured in dBNPS.

Fundamental frequency (f0): mean value of the fundamental

frequency measured in Hz.

The aerodynamic measures assessed were grouped into five

categories as follows:

1. Temporal Measure:

Expiration time: it measures the expired airflow time, or

positive airflow, in seconds.

2. Air pressure measures:

Peak air pressure: this measure is the highest value of air pressure observed in the emission of one or more plosive

syllables, measured in cm H2O.

Mean peak air pressure: it is mean value of peak air

pressure, measured in cm H2O.

3 Airflow measures:

Peak expiratory airflow: it is maximum value of the

expiratory air flow, measured in L/s.

Peak voiced airflow: this measure represents the mean

airflow of voiced speech segments, measured in L/s.

Mean airflow during voicing: it is the quotient of the total expiratory air volume by the duration of voiced segments, measured in L/s.

4. Volume measure

Expiratory volume: this measure is the total volume of expiratory air measured in liters.

5. Aerodynamic measures

Aerodynamic power: is the product of the mean peak air

pressure value, the air flow during voicing, and the conversion

factor 0.09806, measured in watts.

Aerodynamic resistance: is the quotient of the mean peak

air pressure value by the air flow during voicing, measured in cm H2O/(L/s). It is equivalent to the acoustic impedance

measure multiplied by the conversion factor 0.9806. Figure 1. Illustration of the Kay Pentax Model 6103 console (Lincoln

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Acoustic impedance: is the quotient of the mean peak air

pressure value by the air flow during voicing measured in

dyne s/cm5.

Aerodynamic efficiency: this is a dimensionless value

defined in parts per million (ppm) that represents the quotient

of acoustic power by aerodynamic power.

Statistical analysis of the data was processed using the Statistical Package for the Social Sciences (SPSS 17.0). First, a descriptive analysis of the data was performed with measures of

central tendency and dispersion; after that, the non-parametric Mann-Whitney test was applied to the independent samples for

cross analysis of the variables. A 95% confidence interval was

considered for all statistical analyses.

RESULTS

Women presented higher values of fundamental frequency (f0) compared with those of men. No differences were identified in the evaluation of aerodynamic measures between genders (Table 1).

Table 1. Comparison of measures of habitual vocal emissions between male and female singers

Measures Minimum Maximum Mean SD p-value

ACOUSTIC

Maximum intensity (dB) Men 77.23 92.04 85.36 4.22 0.529

Women 78.91 95.11 86.28 4.52

Mean intensity (dB) Men 75.37 89.30 83.11 3.97 0.620

Women 77.22 92.83 83.99 4.27

Mean intensity of voiced segments (dB) Men 75.37 89.30 83.11 3.97 0.620

Women 77.22 92.83 84.00 4.28

Fundamental frequency (Hz) Men 96.94 221.07 166.75 31.87 0.023*

Women 126.43 245.71 186.49 32.37

TEMPORAL

Expiration time (s) Men 0.62 1.31 0.95 0.17 0.192

Women 0.48 1.30 1.00 0.18

AIR PRESSURE

Peak air pressure (cm H2O) Men 4.41 13.94 9.58 3.06 0.813

Women 4.82 13.94 9.47 2.88

Mean peak air pressure (cm H2O) Men 3.81 13.49 8.94 2.83 0.501

Women 4.41 13.49 8.59 2.76

AIRFLOW

Peak expiratory airflow (l/s) Men 0.14 0.59 0.31 0.12 0.646

Women 0.11 0.48 0.31 0.10

Peak voiced airflow (l/s) Men 0.08 0.44 0.19 0.08 0.414

Women 0.08 0.34 0.21 0.08

Air flow during voicing (l/s) Men 0.08 0.42 0.18 0.08 0.354

Women 0.08 0.33 0.19 0.08

VOLUME

Expiratory volume (l) Men 0.05 0.47 0.18 0.09 0.295

Women 0.06 0.40 0.21 0.10

AERODYNAMIC

Aerodynamic power (watts) Men 0.04 0.44 0.17 0.09 0.941

Women 0.04 0.44 0.18 0.11

Aerodynamic resistance (cm H2O/(l/s) Men 12.76 67.75 45.26 13.52 0.304

Women 19.95 67.47 41.63 12.14

Acoustic impedance (ds/cm5) Men 13.02 69.12 45.87 14.30 0.387

Women 20.35 68.80 42.53 12.43

Aerodynamic efficiency (ppm) Men 101.09 324.12 202.16 76.26 0.662

Women 90.39 376.30 211.94 76.78

Mann-Whitney test. *Statistical significance: p<0.05

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DISCUSSION

The singing voice requires a refined coordination between the

respiratory and phonatory systems. The ability to accurately and

efficiently control airflow and subglottic pressure is important

for singers to properly produce their musical repertoire(7).

The minimum air pressure necessary to cause vocal fold vibration is described as Phonation Threshold Pressure (PTP)(17),

and the specific scientific literature reports that air pressure

variation in a usual conversation varies from 0.3 to 1.2 KPa, but that these values are higher in singing(18), evidencing that

the singing voice presents aerodynamic requirements greater than those of the spoken voice(2). Studies comparing the

characteristics of vocal cord nodule size with aerodynamic parameters in singers and non-singers found that the latter

presented positive correlation between lesion size and airflow

parameters. Such correlation was not observed in singers(5),

suggesting that singing voice training favors the development of particular aerodynamic mechanisms that are present even in situations of glottal impairment.

Technological advances are making aerodynamic assessment of the voice increasingly common in vocal clinical practice(19).

Aerodynamic analyses can be used to detail phonological physiology and determine compensatory functional mechanisms in individuals with dysphonia(20). The literature describes that

aerodynamic measures present good test-retest agreement(20)

and are sensitive to evaluate dysphonic conditions, and should be used as a complementary voice assessment instrument(3).

Results of this study show that women presented values of fundamental frequency (f0) higher than those of men. These results are consistent with the literature(15,21) and can be justified by the

fact that the vocal folds of women and men differ with respect

to the size and number of cycles of vibration per second(22).

The natural vocal fold length and larynx size of females are smaller compared with those of males, thus the habitual values of f0 are lower in men(23).

Some mean values of f0 described in the literature for young

Brazilian women are 206Hz(21), 215.42Hz(24), and 208.28Hz(15),

whereas f0 values of 120Hz(21), 127.61Hz(24), and 136.56Hz(15) are

found for young Brazilian men. The f0 values observed in this

study for young women and men were 186.49Hz and 166.75Hz, respectively. These results are different from those described

in the literature, which shows increased values for males and

decreased values for females. The differences observed can be justified by the fact that this study evaluated the f0 of singers,

who can present different vocal adjustments according to their

practice of the singing voice. Further studies are needed to understand whether vocal adjustments of the singing voice are

really important to justify modifications in f0.

Aerodynamic measurements are essential for studies on the physiological bases of voice production(25). Aerodynamic

assessment with extraction of airflow, air pressure and expiratory

volume measures is recommended as part of a multidimensional

assessment of the voice by the American Speech-Language-Hearing Association (ASHA)(26).

The present study shows that female and male singers do

not present differences in aerodynamic measures regarding the parameters of expiration time, air pressure, airflow, expiratory volume, aerodynamic power and efficiency, and acoustic impedance.

Studies conducted with speakers of Brazilian Portuguese have reported that aerodynamic measures of men and women are

differentiated by the parameters of laryngeal resistance (quotient of the subglottic pressure values by the airflow values) and laryngeal efficiency (quotient of the vocal intensity values by the values of air pressure and airflow), with such values higher

in the female gender(15). These findings, despite being obtained

with samples of the Brazilian population, can not be directly compared with those of the present study, because they were

extracted using a different aerodynamic measurement equipment whose parameters and units of measurement are different from

those used for the development of this study.

The literature shows that aerodynamic measures in English

speakers differ according to gender regarding airflow values,

with higher values observed either in men(27) or in women(13),

whereas air pressure measures were sensitive to gender in situations of dysphonic voices(14). Although these studies used

the same equipment to obtain the aerodynamic measures,

the versions of the analysis software were different(13,27), and

dysphonic voices were also analyzed(14). As for the participants’

mother tongue, the surveys evaluated speakers of American(14,27)

and Australian(13) English. All of these variables can explain

the differences observed in the literature. Studies addressing

aerodynamic measures associated with gender in singers have not been found in the literature.

Understanding the aerodynamic and acoustic characteristics

of the voice of male and female singers is important to define

vocal and respiratory parameters in singing voice production. Findings of this study demonstrate that male and female singers presented the same aerodynamic characteristics of the voice, evidencing that, unlike in spoken voice, gender

interferes with measures of airflow(13,27) and air pressure(14), in

singing voice the aerodynamic parameters of male and female singers are the same. These results suggest that singing voice

training develops specific singing respiratory mechanisms that do not seem to be influenced by the anatomical differences of

the vocal apparatus between men and women. Further studies

conducted with male and female singers considering different

musical genres are important in order to better understand the phonatory and respiratory mechanisms involved in singing, and

how the different singing styles can influence the acoustic and

aerodynamic parameters of the singing voice.

CONCLUSION

Female singers present higher fundamental frequency values than male singers. Values of aerodynamic measures do not

differ between male and female singers speakers of Brazilian

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Author contributions

Imagem

Figure 1. Illustration of the Kay Pentax   Model 6103 console (Lincoln  Park, NJ, USA) in use
Table 1. Comparison of measures of habitual vocal emissions between male and female singers

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